Archive for September 2019

Devious Machines - Pitch Monster v1.0.18 (Sept 2019)

September 25, 2019 5 Comments
With six octaves of operation, a resolution of 0.01 semitones, and unison spread of pitch and time (up to 64 voices), Pitch Monster’s granular pitch processor goes bigger, finer and wider than any pitch shifter you’ve seen before. Three shift types – Granular, Formant and Vocoder – bring three flavours of operation for experimental sound design work, while Pitch Monster’s MIDI control and Chord Mode let you play it like an instrument.
Features of Devious Machines Pitch Monster v1.0.18
Pitch Monster Features:
  • Harmonise with up to 8 voices of polyphony.
  • Huge six-octave range (two up, four down).
  • Dial in eight voices of unison for a 64 voice stack.
  • Granular, Formant-shifting and Vocoder engines.
  • Realtime MIDI control.
  • Programmable Chord Memory with switching via MIDI.
  • Dual high + low pass filters for fine tonal control.
  • Wide mode for big stereo effects.
  • Responsive, low-latency DSP engine suitable for live and studio use.
Pitch Monster Lets You:
  • Perform huge bends and pitchsweeps.
  • Absolutely transform an input signal with extreme tonal shifts.
  • Harmonize any sound with up to eight notes or use as an octaver.
  • Apply modulation effects like flanging, chorusing and subtle widening.
  • Create crazy sample-and-hold-style pitch ‘sequence’ effects.
  • Conjure up repeating ‘delay’ effects with twisting pitches.
  • Get high-resolution glissando and pitchbend glides using MIDI.
System Requirement
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Gltchmachines - Palindrome v1.2.0 (Sept 2019)

September 25, 2019 Add Comment
Palindrome is a granular morph plotting sampler geared toward experimental sound design.

The basic concept behind Palindrome is to fuse four granular samplers with a coordinate plotting grid and complex modulation sources in order to facilitate the creation of morphing sound effects and unusual instrument patches.

The plugin’s main grid section facilitates the creation of custom paths that determine the trajectory of a playhead over time. This playhead travels across a user-definable path that corresponds with the outputs of the samplers which are smoothly morphed using a bilinear interpolation algorithm. Palindrome also features 8 user-definable multi-breakpoint modulation envelopes to facilitate the creation of intricate modulation shapes.

With its 4 granular samplers, morph-plotting system, 8 multi-breakpoint modulation envelopes, dual effects processors per sampler, shape presets, 4-note polyphony, deep randomization system, global reverb, 1.4GB sample library and numerous factory presets, Palindrome brings sound designers a powerful new sound sculpting tool.
  • 4 Granular Sampler Modules
  • Morph Plotting System
  • 8 Multi-Breakpoint Envelopes
  • 2 insert FX Per Sampler
  • Scalable User Interface
  • Comprehensive Randomizer
  • 70+ Presets & 1.5 GB of Samples
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Tracktion Collective v1.2.1 (Sept 2019)

September 25, 2019 Add Comment


Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.

Features of Tracktion Software Collective v1.2.1
  • Collective Sample Synthesizer
  • Extensive sound library with over 600 sounds
  • Up to 256 voices (depends on CPU speed)
  • More than 4000 Sound layers per Instrument (typically between 1 and 12)
  • Macro controls for quick and easy instrument editing
  • Controller support for pitch bend, modulation wheel, monophonic and polyphonic aftertouch, sustain and sostenuto pedal, expression pedal
  • Full host parameter automation
Per Sound
Unison with up to 16 voices and freely transposable unison notes
Powerful Arpeggiator with MIDI File import
Internal tempo or sychronization to host
Powerful note trigger modes for sophisticated layer sounds

Per Voice
4 Oscillators
High-quality sample playback
Classic virtual-analog waveforms like saw, triangle and pulse with pulse-width modulation
Sine waveform with continuous waveshaping turning it into square, saw, triangle or other waveforms
In-oscillator sync
Ring modulation of oscillator 1 and 2
4-Operator FM with all waveforms or samples

2 Filters
Filters are in series with an interconnected distortion stage
Low- and highpass filter types with 6, 12 and 24dB slope
Bandpass and notch filter types with 12 and 24dB slope
High-quality tunable comb filter with positive and negative feedback (can be used for polyphonic chorus or flanger or to create physical modelling sounds)
Various distortion types including soft, medium, hard and tube overdrive and hard clipping

Equalizer
4 bands fully parametric
Low and high band types shelf, bell or cut

4 LFOs
Classic LFO waveforms triangle, sine, saw up/down, pulse, sample&hold, random
Waveform skewing
Sychronizable to host
LFOs prerouted to sound-generating modules, i.e. pitch, pulse width, cutoff, volume and panning

4 Envelopes
Up to 32 stages with variable slope
Sustain and release loop
Envelopes prerouted to sound-generating modules, i.e. pitch, osc 2 + 4 level, cutoff and volume

4 Effect busses
Each effect bus can be set to any effect type
Effect types Compressor, Distortion, Filter, Chorus/Flanger, Phaser, Time/Clock Delay, Natural/Plate/Nonlinear Reverb
Full parameter set for each effect type
 
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave

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Ghosthack - Ultimate Percussion Library (Sept 2019)

September 25, 2019 Add Comment
The “Ultimate Percussion Library” includes over 900 royalty free percussion one-shots, fills and loops, that will make a huge impact on your drum patterns.

Expect shots and loops of shakers, tambourines, wood, steel and metallic instruments, bongos, claps, foley sounds, synthetic percussions and much more!

We also included original recordings of different ethnic and oriental instruments like a doumbek, cabasa, caxixi, bendir, arabian riqq, frame drums, african clave, sleigh bells and other interesting percussions.

All 24 bit .wav files are 100% royalty free and can be used for productions in music, films and video games.
  • 104 Organic Percussion Loops
  • 14 Synthetic Percussion Loops
  • 174 Drum Fills
  • 14 Abstract Conga + Tom Loops
  • 99 Tambourine Loops
  • 57 Shaker Loops
  • 2 Conga Loops
  • 14 Doumbek Recordings
  • 10 Cabasa Recordings
  • 14 Caxixi Recordings
  • 36 Doum Sounds
  • 8 Bendir Recordings
  • 12 Frame Drum Recordings
  • 50 Metallic Instruments (Cymbal, Triangle, Bell, …)
  • 10 Sleigh Bell Recordings
  • 17 Metal Rattle Recordings
  • 12 Riqq Recordings
  • 30 Steel Tamborine Recordings
  • 10 Tamborine Brass Recordings
  • 30 Wood and Plastic Block Instruments
  • 52 Claps
Ultimate Percussion Library
  • Over 900 One-Shots and Loops
  • Includes Original Ethnic/Oriental Percussions
  • 100% Royalty Free
  • Instant Download
  • Professional Recordings
  • Professional Quality
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Ghosthack - Hip HopTrap MIDI Kits Bundle

September 25, 2019 Add Comment
Songwriting can be tough for every Hip Hop and Trap producer – if you’re stuck finding the right notes for your tracks, get inspired by our huge MIDI collection today!

Our team of international sound designers gave their best to create some stunning MIDI melodies, chords, arps, basslines and even drum MIDI files for you.

The whole pack contains 20 thematic key- and BPM-labeled MIDI construction kits. Each kit contains all MIDI files that you need for creating a nice Hip Hop beat: A heavy 808 bassline, melodic chords, a remarkable melody, atmospheric pads and all kind of drums (kicks, hi-hats, snares, snaps, percussions).

Furthermore, we included a total of 180 single MIDI files from basslines to chords to melodies.

Drag and drop these files into your DAW of choice, they can be combined with everything. From samples to virtual instruments and synthesizers. Use them as inspiration to overcome annoying creativity blocks.

All files and melodies are 100% royalty free and can be used for commercial projects.

The pack contains pure .mid files, which can be used with every music software.

Content
•20 MIDI Construction Kits with 260 Files
•100 Melody MIDI Files
•25 Bass MIDI Files
•55 Chord MIDI Files
•Total: 440 Files
 
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Ghosthack - Ultimate Producer Bundle (Sept 2019)

September 25, 2019 1 Comment

What’s in the Bundle?
Get a Total of over 8,800 Sound Resources!
  • 712 Vocal Samples
  • 6 Full Vocal Accapellas
  • 526 Foley Perc Hits
  • 244 Tonal Pads
  • 53 Atmospheric Pads
  • 52 Dreamy Space Pads
  • 24 Drones
  • 21 Atonal Drones
  • 115 Risers
  • 66 Ambient Foley Hits
  • 43 Drum Fills
  • 10 Arp Loops
  • 62 Rides
  • 10 Vocal Loops
  • 60 Live Hi-Hats
  • 80 Live Snares
  • 2 Intro Construction Kits
  • 1291 Snares
  • 799 Kicks
  • 276 Foley Snares
  • 225 Claps & Snaps
  • 206 Foley Perc Loops
  • 245 Bass Loops
  • 439 Bass One-Shots
  • 71 808 Basses
  • 25 Cymbals
  • 18 Lead Loops
  • 151 MIDI Files
  • 20 Piano Loops
  • 10 Vocoder Loops
  • 10 Snare Rolls
  • 10 Hi-Hat Loops
  • 20 Sitar Loops
  • 25 Drum Breaks
  • 287 Serum Presets
  • 120 Serum Wavetables
  • 190 NI Massive Presets
  • 4 Sylenth Presets
  • 305 Drum Loops
  • 306 Drum Stems
  • 482 Hi-Hats
  • 248 Percussions
  • 116 Percussion Loops
  • 225 SFX
  • 2 FL Studio Projects
  • 11 Full Construction Kits
  • 45 Synth Loops
  • 26 Melodic Loops
  • 37 Synth Hits
  • 54 Musical Loops
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Ghosthack - Ultimate Vocal Library Collection

September 25, 2019 Add Comment
  • 1,100+ Acapellas, Ad-Libs, Phrases and One-Words
  • Works With Every Software
  • 100% Royalty Free
The Ultimate Vocal Library is one of our best-selling and most popular sample packs, so it was time to create an immense successor!

We hired the most professional singers from around the world, artists with millions of streams on spotify, working with the big ones from the music industry.

Expect a total of over 1,100 files and a vocal collection from 11 different singers in our premium version (male and female) to cover almost any style.

All vocals are 100% royalty free and can be used in commercial products.
 
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 Ghosthack - Ultimate Vocal Library 
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Wa Production Mutant Reverb v1.0.1 (Sept 2019)

September 25, 2019 Add Comment
Mutant Reverb’ is a mono-to-stereo reverb plugin with a built-in ducker; perfect for vocals, percussion, synths and many other applications where you need precise control of reverb tails. Adding reverb to sounds gives warmth, character and places the sound in a real-world space. However, big problems arise when a reverb tail masks the clarity of the original signal, resulting in a muddy and undefined sound. Mutant Reverb is the solution, in just a couple of clicks you can duck the reverb processing out of the way of the original audio without any complicated side-chain or compression routing. Just plug and play.

Mutant Reverb offers Stereo Split processing with a lush reverb algorithm that can turn a mono source into a stereo reverb signal. We’ve also included several controls to tune the room and tail character of the reverb effect. The Internal Ducker section gives you the typical threshold, ratio, attack, hold and release controls, to create space in your mix. You can even mute the original signal, to listen to the ducked reverb effect in precise detail or use the plugin on an effect bus. The visual feedback section at the top of the interface shows how the dry and wet signals are interacting in two distinct colours, making it easy to identify the reverb and ducking. Whether you’re producing vocal, synth or percussion tracks, Mutant Reverb should be in your back pocket to create space and clarity in the mix.

Power
The Mutant Reverb logo acts as a bypass control for the whole plugin, and is smoothed to be click and pop free for unhindered A/B testing.

Visual Feedback
The waveform graph at the very top of the interface shows the dry source and the wet reverb signal in different colours. You can clearly see the reverb tales and the ducking taking place.

Mix Control
Use the Mix dial to set the wet reverb level. Used in conjunction with the Threshold and Ratio dials within the Internal Ducker section, this parameter can give precise control over the performance of the reverb tail. If you want to listen to the ducked reverb effect in solo mode (or use the plugin as an effects send) just activate the mute button to mute the source signal.

Time & Pre-Delay
With the Time dial you can set the length of the reverb tail up to an infinitive amount for endless ambience. Adjust the reverb’s pre-delay time with the addition dot control, up to 100ms.

Size & Diffusion
Set the simulated room size of the reverb with the Size dial and adjust the reverb’s diffusion with the additional dot control, smoothing the sound of the simulated room.

Frequency shaping & Dampening
A common reverb technique; shaping the frequency of the reverb tail reduces high and low end clutter. Mutant Reverb’s High & Low pass filter nodes can be used to filter the output of the ambience to high and low limits of your choosing. The dot control attached to the filter allows adjustment of the dampening, simulating a more natural sounding space.

Internal Ducker Section
The ducking section of the interface works similarly to a standard compressor and the Threshold and Ratio dials are the main controls for shaping how the ducked signal is processed. Threshold sets the intensity level at which the compressor starts working and the Ratio dial dictates how much gain reduction is applied.

Advanced Controls : Attack / Hold / Release
You can fine tune the behaviour of the ducking effect with the Attack, Hold and Release dials. Attack allows you to ignore transients in the original signal. Hold stabilises the generated gain reduction. Release sets the fade out time for the gain reduction. Adjusting these parameters is the key to shaping your bespoke reverb effect.

Presets
Including a wide range of factory presets, Mutant Reverb is designed to get you up and running quickly. The specially tailored settings include many types of ambience, from plate and room emulations right through to special FX. These are all easily accessible from the plugin menu and of course, you can save you own settings as user presets too.

This all-in-one frequency shaped ducked reverb gives you precise control over the reverb tails of vocals, percussion, synths and so much more. Mutant Reverb perfectly controls the feeling of ambience and space, without complex routing and side-chaining, maintaining the clarity of the original signal. Tame those tails!

W. A. Production are real-life producers making creative plugins to help you achieve studio quality processing quickly and easily. Enjoy!
Features of Wa Production Mutant Reverb
  • Clean sounding algorithmic reverb
  • Built-in internal ducker with compressor-style controls
  • Many presets for a wide range of reverb parameters
  • Click free bypass control
  • Time, Size and Frequency filter dials
  • Advanced controls for Pre-Delay, Diffusion & Dampening
  • Real-time waveform display
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Overloud TH-U Complete v1.0.20 (Sept 2019)

September 07, 2019 Add Comment
Overloud TH-U is a software suite for guitarists and bass players who like to do everything in the DAW. The previous version was TH-3 version, and the new TH-U brings more of everything: 15 new amps (94 in total), 14 new speakers (52 in total), 2 new effects (77 in total), a redesigned Cabinet IR module and a search function for presets.

Included Rigs Expansion Library:
  • Slate Edition
  • American Classics
  • British Classics
  • Choptones Brit 1987
  • Choptones Fried BE50D
  • 239 models, the world’s largest collection into a single software, including:
  • 89 guitar amplifiers and 4 bass amplifiers
  • 50 guitar cabinets and 2 bass cabinets
  • 77 pedal and rack effects
  • 18 microphone models, with up to four mics on each cabinet
  • More than 1000 presets covering all musical styles
  • Randall®, DVmark®, Brunetti® and THD® authorized models approved by the original manufacturers
  • Amp Tweak technology, allows you to mod the amplifiers by changing the preamp and poweramp tube models, as well as simulating the action of a variac
  • Rig Player (with 20 factory rigs), allows you to reproduce rig models created by sampling real setups
  • One entire preset bank dedicated to bass.
  • 4th generation analog emulation technology, with proprietary nonlinear processing algorithm
  • 3D, gap-less positioning of microphones and room simulation
  • Advanced cabinet emulations with ReSPiRe 2 technology
  • Built-in convolver to load external guitar cab IRs
  • Flexible sound chain with split point for parallel processing
  • Fully customizable MIDI control for live usage
  • BREVERB and SpringAge based reverb effects
  • Full compatibility with TH3 user presets
RIG PLAYER
TH-U is able to load rig models created from real setups.
The Overloud proprietary technology allows our engineers to sample and capture the response of an entire rig, including the nonlinear and dynamic response of the amplifier, the cabinet, the microphones, the mic preamplifier and the room sound. Rig To Model technology allows you to capture both analog and digital setups. The Rig Player, integrated into TH-U, allows you to reproduce any nuance of the sampled rigs.

AMP TWEAK
Thanks to its innovative dsp technology, TH-U features a new panel which allows you to change the pre and power tubes models, as well as to simulate the action of a variac. This allows you to mod any amplifier model with an almost limitless combination of tubes and opens the product to new sound capabilities.

Whats New:
In addition to the features available in the TH3 Complete version, TH-U Full includes:
  • 15 new amplifiers, including the Superlead and Superbass models, Polytone jazz amplifiers and DVmark Triple 6 head
  • 14 new cabinets
  • Rig Player (with 20 factory rigs), reproduces models captured from real rigs with the R2M (Rig To Model) technology
  • Amp Tweak: mod amplifiers by customizing pre and power tubes
  • A Shimmer Reverb and a Shimmer Delay
  • An improved and redesigned Cabinet IR module
  • A new multitrack looper
  • Search function on the preset and bank lists
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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PreSonus - Studio One 4 Professional v4.5.3 (Sept 2019)

September 07, 2019 Add Comment
Studio One 4 was designed with ease of use at its core. It seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can bring musical ideas to sonic reality more quickly than ever before.

An efficient, single-screen interface houses an unlimited number of tracks, intuitive editing tools, and advanced virtual instruments. Spend your precious time creating music instead of wondering what to click next. Studio One doesn’t dictate how you work or what you work on.

Studio One is your creative companion from start to finish. The Start page provides what you need to kickstart your creative process—open projects, set parameters, and check for updates and tips. From there, the Song page is all about recording, arranging, editing, and mixing your music with a complete set of virtual instruments, effects, and groundbreaking arrangement tools. Then, assemble and master your music in the Project page. Even better, the Project and Song pages are linked so if you need just that one little change in your master or stems, switch to the Song page, tweak, and mix back automatically to the Project. No other program accomplishes such an effortless transition as you move from the initial creative inspiration to the finished, mastered production.

Forget laborious transposition, cutting, pasting, and moving when arranging. With Scratch Pads to test out arrangements, an Arranger track that makes moving sections of songs around as easy as moving parts, and the groundbreaking Harmonic Editing—the most flexible chord track implementation ever—no other program can approach the ease of arranging and songwriting that Studio One 4 delivers.

The new Studio One is all about you.

Studio One 4 is a major update that combines the best of the traditional recording studio model with the modern methods of creating beat- and groove-oriented music. Thanks to flexible tools designed for creative musicians, Studio One 4 doesn’t dictate how you work—you do. You truly can work better, faster.

The new Chord Track with Harmonic Editing makes it easy to prototype songs, thanks to flexible transposition, key modulation, and chord substitution for note data and audio. The Impact drum module has been reborn as Impact XT, where you can create complete arrangements in a highly developed, sophisticated production environment. Patterns bring the concept of step sequencing into the 21st century with the fastest way yet to come up with drum and percussion parts. Sample One XT turns Sample One into not just a true sampler that can record data from anywhere within the program, but a powerhouse for slicing, dicing, and rearranging loops and beats.

With Studio One 4, you create music on your terms: Create without boundaries, produce without limits.

Version 4.5.3 Release Notes (September 3, 2019):

New features and improvements:
  • Support for Native Instruments’ Komplete Kontrol MkII series keyboards
  • [macOS] Support for Apple Notarization service
  • “Remove Plug-in Settings” function for Plug-in Manager
  • Volume automation curve now compensates logarithmic fader curve
  • “Select Notes” command is now applicable to muted notes
  • Channel polarity switch is now excluded from grouping
  • Added commands for “vertical zoom in/out fine”
  • Dragging multiple Patterns to the browser is now supported
  • Improved sidechain handling for VST2 Plug-ins
  • Improved Chinese localization
The following issues have been fixed:
  • [Mixer] Sends are hidden under certain conditions
  • [Mixer] Side-chaining with Mix FX included will mute under certain conditions
  • [Mixer] Lag on VCA fader adjustment
  • [Scratch Pad] Wrong instrument part length when using step record
  • [Scratch Pad] Lost focus when using “locate cursor” function
  • [Scratch Pad] Loop range lost when dragged across arrangement border
  • [Pattern Editor] Variation name cannot be edited from pattern editor toolbar
  • [Audio Batch Converter] Crash on repairing sample rate with certain mp3 files
  • Multi Instrument transform restore omits channel inserts
  • Qwerty Keyboard device has wrong mapping in Swiss and Canadian French layout
  • No input metering during record w/ tape style and disabled monitoring
  • Crash on invoking “Insert Rest” command when not in Step Record mode
  • When “snap” is disabled, “play selected range” won’t stop when playing small audio
  • segments
  • Using Shift+S as keyboard shortcut for “Solo” triggers “Solo Safe” instead
  • Random freezes on previewing MIDI files from the browser
  • Softube Console 1 AU not properly unloaded on removal
  • Altered metronome accent volume resets to default on relaunch
  • Decimals missing in Export dialogs
  • Instrument preset list and browser out of sync
  • Chord track offset when chord doesn’t start at event start
  • Certain MP3 files won’t import
  • First notes missing on bounce in certain cases
  • Short notes being dropped with large block sizes
System Requirement
Windows 7 | 8 | 8.1 | 10 [64-bit]

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Avenger - Soundbanks Collection 2019 (Sept 2019)

September 04, 2019 Add Comment
Meet our new alpha and omega of synthesis: Vengeance Producer Suite Avenger is here! The most versatile and best sounding synth you will ever encounter. There is nothing VPS Avenger can't do, it offers you tons of features and a gigantic growing library from some of the best sound designers on this planet.

Avenger Soundbanks Collection 2019
  • Up to 8 oscillators in each voice
  • Creation and editing of wavetables
  • 8 free envelopes for use in modulation paths
  • 8 tone surrounds
  • 4 filter sections with their own envelopes
  • 4 ‘amplification’ sections with their envelopes
  • 4 distortion/shaping modules, 4 Generic LFOs
  • 6 effect buses endowed with up to 8 effects each
  • 8 arpeggiators and 8 simultaneous step sequencers
  • Percussion pattern sequencer
Avenger Soundbanks Collection 2019
  • Factory.avxp
  • Nicholas.Stalhood.Existence.avxp
  • Patchworx.Big.House & EDM.avxp
  • Producertech.Classic.Drum.and.Bass.avxp
  • Triple.Spiral.Audio.The.Stand.avxp
  • Vandalism.Sound.Shocking.EDM.avxp
  • Vandalism.Sounds.Future.Pop.avxp
  • Vandalism.Sounds.Shocking.Deep & Future.House.avxp
  • Vandalism.Sounds.Shocking.Trap.avxp
  • Vandalism.Sounds.Tropical.House.avxp
  • Vengeance.Sound.16.Bit.Era.avxp
  • Vengeance.Sound.8.Bit.Era.avxp
  • Vengeance.Sound.Ambition.avxp
  • Vengeance.Sound.Analog.Synth.avxp
  • Vengeance.Sound.Atmospherica.avxp
  • Vengeance.Sound.BigTone.avxp
  • Vengeance.Sound.Cinematic.1.avxp
  • Vengeance.Sound.Cinematic.2.avxp
  • Vengeance.Sound.Deep.House.avxp
  • Vengeance.Sound.Doomstep.avxp
  • Vengeance.Sound.Dubstep.1.avxp
  • Vengeance.Sound.EDM.1.avxp
  • Vengeance.Sound.EDM.2.avxp
  • Vengeance.Sound.Effects.EDM.avxp
  • Vengeance.Sound.Effects.House.avxp
  • Vengeance.Sound.Effects.Trance.avxp
  • Vengeance.Sound.Euro.Party.avxp
  • Vengeance.Sound.Funky.House.avxp
  • Vengeance.Sound.Future.Bounce.avxp
  • Vengeance.Sound.Future.Chill.avxp
  • Vengeance.Sound.Future.Pop.1.avxp
  • Vengeance.Sound.Future.Pop.2.avxp
  • Vengeance.Sound.Granular.XP1.avxp
  • Vengeance.Sound.HandsUp.lives! .Avxp
  • Vengeance.Sound.Hardstyle.avxp
  • Vengeance.Sound.Hip.Hop.XP.avxp
  • Vengeance.Sound.Mainroom.Warehouse.Top.EDM.Genres.avxp
  • Vengeance.Sound.Melodic.EDM.avxp
  • Vengeance.Sound.PSY.avxp
  • Vengeance.Sound.Retrowave.80s.avxp
  • Vengeance.Sound.Synthwave.avxp
  • Vengeance.Sound.Tech.House.1.avxp
  • Vengeance.Sound.Top.EDM.Genres.avxp
  • Vengeance.Sound.Trance.1.avxp
  • Vengeance.Sound.Trance.2.avxp
  • Vengeance.Sound.Trance.Invasion.avxp
  • Vengeance.Sound.Trap & Moombahton.avxp
  • Vengeance.Sound.Tropical.House.avx
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IK Multimedia - SampleTank 3 v3.7.3 (Sept 2019)

September 04, 2019 Add Comment
The ultimate sound and groove workstation. The SampleTank 3 interface is divided into 3 main “environments” for layering, mixing and editing sounds and grooves. We’ve taken the main aspects of the music production workflow and separated them into 3 main functional environments: the “Play” interface, the “Mix” interface and the “Edit” interface.

The PLAY page will be immediately familiar to SampleTank users: On the left is the browser where you load Multis (previously known as Combis), Instruments and Patterns. On the right is the Part Viewer where you can see the contents of each Part and adjust its most basic parameters.

SampleTank 3 lets you load multiple MIDI patterns in each Part. Now you can build inspiring grooves directly within the software and play them at will. The Live tab lets you bring SampleTank 3 on stage with you easier by giving you a clean way to organize your performances by set lists and Song, letting you have your sounds ready to play instantly with its smart loading management system.

The MIX page provides a traditional mixer interface with 5 effects slots for each channel. There are 21 channels in all: 16 channels for each Part, 4 returns for global “send effects” (like reverb and delay) and a master channel. This arrangement lets you get extremely creative – you can have up to 30 effects on a single instrument!

The EDIT page provides full access to SampleTank 3’s powerful synthesizer engine. There you can run your samples through everything from envelopes to LFOs to filters – And speaking of filters, SampleTank 3 features 10 new filter types for extreme sonic sculpting.

SampleTank 3 now supports direct integration with iRig Pads, IK’s ultra-portable MIDI groove controller.

Plug in your iRig Pads (or other pad-based MIDI controller) and you can take advantage of SampleTank’s Pad interface, which lets you assign SampleTank 3’s 16 parts to the 16 pads on your controller for a seamless and tactile “out-of-the-box” music production experience.
 
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [64-bit]

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IK Multimedia - AmpliTube 4 Complete v4.9.0 (August 2019)

September 02, 2019 Add Comment
Hyper Realistic Tone
Get ready to have your mind (and ears) blown. AmpliTube 4, a major upgrade to the world’s most powerful guitar and bass tone studio for Mac/PC, is here and will take you to a level of hyper-realism and customization of tone you never knew possible.

AmpliTube 4 is a guitar and bass tone studio for Mac/PC that works as a standalone application and as a plug-in for your favorite DAW. AmpliTube recreates the entire guitar/bass signal chain from instrument to recording device, and does so in a very realistic and intuitive way. But it also does it in ways you never dreamed possible. If you’re new to using computers to get fabulous guitar tone, then you’re in for a treat. If you’re a veteran computer tone-master, well, you’re still in for a treat. AmpliTube pioneered — and leads the way in — guitar amp and effects modeling, and AmpliTube 4 takes it to the outer edges of extreme hyper realism with intuitive familiar tools. Fasten your seat belt… let’s take a quick tour!

Changes from version 4.8.2
– New official Brian May Collection gear models:
BM 30 (Amplifier)
BM DK (Amplifier)
BM 30 Blue (Cabinet)
BM 30 H70 (Cabinet)
BM DK (Cabinet)
Star Gate (Stomp FX)
Red Special (Stomp FX)
Treble Booster (Stomp FX)
May Wah (Stomp FX)
FOX Phaser (Stomp FX)
– General reliability improvements
 
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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