AutoCAD Architecture 2019 - Autodesk

Autodesk Inc., a world leader in 3D design software for entertainment, natural resources, manufacturing, engineering, construction, and civil infrastructure, announced the release of AutoCAD Architecture 2019, is one of the leading software that has helped engineers to design some awesome architecture and will boost the productivity in large projects.

Features of Autodesk AutoCAD Architecture 2019
  • Below are some noticeable features which you’ll experience after Autodesk AutoCAD Architecture 2019 free download.
  • About Autodesk AutoCAD Architecture 2019. Autodesk AutoCAD Architecture 2019 has been specifically configured for the architectural market place and to that end contains productivity tools specific to this market sector.
  • Built on the familiar AutoCAD platform new user after a small amount of initial training can transition with relative ease to this powerful architectural CAD software platform and speed up drawing creation, the production of schedules and of course other related documentation.
  • For architects requiring access to additional BIM (Building Information Modelling) software, Autodesk AutoCAD Architecture can be purchased on a subscription basis as part of the Architecture, Engineering & Construction Collection and is now part of AutoCAD with specialised toolsets.
System Requirements
 Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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AutoCAD MAP 3D 2019 - Autodesk

Autodesk Inc., a world leader in 3D design software for entertainment, natural resources, manufacturing, engineering, construction, and civil infrastructure, announced the release of AutoCAD Map 3D 2019. The 2019 release of AutoCAD Map 3D contains customer-focused enhancements across the product.

Autodesk AutoCAD Map 3D software provides access to GIS and mapping data to support planning, design, and data management. Intelligent models and CAD tools help you to apply regional and discipline-specific standards. Integration of GIS data with your organization helps to improve quality, productivity, and asset management.

System Requirements.
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Studio One Professional v3.5.6 - Presonus

Studio One – A full-featured sequencer (DAW) to create music that makes audio recording, the MIDI-sequencing, and audio mastering simple, providing the user with many professional features . The program is equipped not only with all the professional features that can be found in other similar programs, but also new developments that distinguish Studio One from other similar applications.

Version 3.5.6 Release Notes (March 27, 2018):
NOTE: for some Windows 10 users it may be necessary to re-activate Studio One on first
launch. Please follow the instructions for activation. New features and improvements: • Support for PreSonus Studio 1810 and 1824 USB audio interfaces • Support for DAW remote control from PreSonus StudioLive series III mixers • New options for add and rename Channel name as Macro argument • Audio Buffer handling at 32 samples is more robust now! Just • Added the System Information Part to the Help menu of The Issues the following have Been fixed: • the VST the preset not displayed in the Artist Studio the One • Crash sonogram in the after loading by Project • Channel solo state not General restored correctly
• Crash when loading a template
[MacOS] AVB sound device causes Core Audio spikes
• [macOS] crash with AU plug-ins and monitoring ON
• [macOS] AU FX stop processing when toggling Mono / Stereo
• [macOS] • [macOS] Crash in Song Notepad
• Search text field loses focus when result list is displayed
• Play cursor position is incorrect after loading song with scratchpad
• Arrangement sometimes scrolls to top after duplicating track
• Crash when quitting from Start Page
• Channel macro control assignment does not work with 3rd party plug-ins context menu
• Crash in Multi instrument Instrument track editing
• the Freeze on the undo / the redo copy-events
• the Inspector of automation tracks blank for Instrument Individual output channels
• the Note the FX not playing the when Adding new on top position
• the Marker positions not deleted the when scratchpad is deleted
• Adding track to folder scrolls down to last track
• [Windows] forced-reactivation on every reboot on certain systems

System Requirements.
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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Reaktor 6.2.1 - Native Instruments

Reaktor is a completely modular, real-time sound synthesis, sampling and effects software application / plug-in. It fuses all audio applications into a single, versatile and powerful tool. Musicians, producers and sound designers are all catered to by the very broad range of instruments and sounds already included. With an open engine architecture, the potential for building your own highly individual instruments is endless.
Features of Native Instruments Reaktor 6.2.1

Completely modular, real-time sound synthesis, sampling and effects software.
Over 60 unique synths, samplers, drum machines and effects providing thousands of sounds.
Includes free access to the NI Online User Library to download more than 2100 additional instruments.

Preset morphing and preset randomization.
Pre-designed building blocks for easy construction of individual instruments and effects.
The latest, high-end algorithms deliver pristine sound.
Reaktor Core Technology allowing low level, custom module design.
‘skinability’ of all instrument control elements.
Multi-breakpoint envelopes with slope control, tempo grid and looping.
Live sampling and effect modules with auto-normalisation and tempo-synchronous beat juggling.

System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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Dark KZ - BeatSkillz

80s Sci-Fi & Horror Sounds Rompler. Features 50 Professionally crafted Presets to get you the amazing soundtrack sounds inspired from the 80s. Includes Pads, Choir, Leads, Drums, Fx , Basses, Atmospheres and otherworldly sounds!

Sounds inspired from the works of John Carpenter, Jerry Goldsmith, Jan Hammer, Harold Faltermeyer and others..

Meticulously Sampled and Designed from the ground up using Oberheim, Sequential, EMU, AkaiMoog and other synths and samplers. Treated with legendary outboard effects , eq , compression and saturation to inspire you instantly. Just Load & Play!

System requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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Superior Drummer 2 v2.4 and Soundbank

Superior Drummer 2 is the award-winning, professional drum production studio aimed at the user looking for total control in any aspect imaginable when it comes to producing drums.

With its unrivaled sample engine, phenomenal sound shaping tools and extensive feature list, Superior Drummer 2 truly sets the benchmark in modern drum production. Superior Drummer 2 comes with 20 GB of meticulously sampled quality drums, recorded in the legendary Avatar Studios in New York City by engineer duo Neil Dorfsman and Pat Thrall together with drummer Nir Z. Between them, they have over the past three decades worked with a wide range of top artists such as Meatloaf, Celine Dion, Nick Lachey, Sting, Bruce Springsteen, Dire Straits, Beyoncé, Björk, Kiss, Joss Stone, Genesis, John Mayer and Chris Cornell.

Superior Drummer gives you, the user, complete creative control to hone, mold and shape the drum sound of your wildest dreams.

FEATURE SPOTLIGHT
• Samples made with drum sticks, rods, brushes and felt mallets available
• Recorded at the renowned Avatar Studios in New York City by Pat Thrall, Neil Dorfsman and Nir Z
• Extensive MIDI library included.

Year of manufacture : 2011
Version : 2.4.0
Developer : Toontrack
Platform : PPC / Intel universal

System requirements
  • Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra
  • Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
  • 4GB free hard disk space, DVD drive (25GB free hard disk space, Sequencer application and professional soundcard MIDI controller such as keyboard, drum pads or electronic drum kit recommended)
  • Interface language : English only
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Via Torrent - Soundbank SDX
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NewBlue Titler Pro 6 (NBFX)

With its familiar interface and drag - and - drop workflow, Titler Pro 6 makes it easy to get a quick start. Simply choose one of the 250+ built-in animated templates or create a title from scratch with the included Title Designer.

What's new in Titler Pro 6?
After Effects Import (Titler Pro 6 Ultimate only)
Convert projects to be used inside Titler Pro. Keep all variables alive to make edits inside Titler Pro 6
Cinema Collection (Titler Pro 6 Ultimate only)
Get a quick start with even more templates, including the latest template pack full of cinematic titles, the Cinema Collection.
Every NewBlue Effect and Transition Included in Title Designer
Augment your designs with a wide array of effects and transitions from the entire NewBlueFX line
Zoom Workspace
Fine - tune adjustments with precision and get a closer look at your designs with the new Zoom option.
Undo History Menu
Design with confidence with the revamped History Menu that allows you to quickly undo or go back to a previous point in your design
Timeline Improvements
Timeline zoom around playhead
Snap trims to playhead
Paragraph nudge shortcut
Drag - and - drop variable management
Organize the order of your variables for easy template use
New Text Controls
All caps and small caps controls
New fit modes
Cut text to box fit mode
Full justify text option
Masking Blend Mode
Conceal objects by creating masks with videos, shapes, and texts with the new masking blend mode.

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NewBlueFX TotalFX 5 (NBFX)

NewBlueFX TotalFX 5 Final Release is a comprehensive pack of video effects which include video tilting, transitions and image filters. The plug-in bundle allows you to apply professionally looking video enhancing effects to your clips, such as color correcting techniques, creative effects or dynamic tilting. Effects and transitions for HD videos. Create beautiful 4K & 5K titles fast with 200+ built-in styles and templates. Quickly bring them to life with drag-and-drop animations.

NewBlueFX TotalFX 5.0 Build 170317 provides you with a multitude of video effects and presets, categorized in over 100 plugins. It offers professional tools, including tilting, title styles and lower thirds templates and supports editing HD clips. The bundle features several components: Elements, Essentials, Filters, Stylizers, Tilting and Transitions. Each category includes a multitude of effects that you can add to your videos in order to enhance them, on a frame-by-frame basis

NewBlue TotalFX 5 delivers over 1400 presets in 129 plugins in our most comprehensive collection of titling, transitions and video effects. Includes the fully-featured Ultimate versions of our Elements, Essentials, Filters, Stylizers, Transitions and Titling lines. Now including Titler Pro 5 and Colorfast 2.

– Elements 3 Ultimate: More than 250 presets in 21 video effects that simplify multi-step compositing tasks.
– Essentials 3 Ultimate: Over 275 presets in 24 workflow-enhancing video effects that stabilize, correct and sharpen.
– Filters 3 Ultimate: More than 250 presets in 22 video effects to instantly enhance video through an array of distinctive looks. Includes Colorfast 2.
– Stylizers 3 Ultimate: Over 250 presets in 23 imaginative video plugins that provide a range of light, paint and art effects.

System Requirements.
Windows Vista | 7 | 8 | 8.1 | 10 [64-bit]

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A.O.M - Total Bundle v1.8.2

Description : A set of plugins:
Invisible Limiter – Transparent mastering limiter.
Invisible Limiter G2
Stereo Imager D – Stereo base converter.
Wave Shredder – A collection of destructive treatments: Rate Reducer, Zero-time Gate, Chopper, Waveform Cut & Fold and Bit Crusher
tranQuilizr – Six-band virtual equalizer
Cyclic Panner – Axial transformation panner

New in version
New features and enhancements :
  • [All plugins] Add status bar and make tooltip displayed on status bar.
  • [All plugins] Full-window ‘demo mode’ display.
  • [Invisible Limiter G2] Add new factory preset. 
  • Bug fixes
  • [Invisible Limiter / Invisible Limiter G2] Potential memory leak bug in macOS Sierra. First reported on middle November. – fixed
  • [Invisible Limiter] Potential mute bug, when DAW supplies 0 channel audio block. – fixed
  • [Invisible Limiter G2] Wrong ceiling point in K-xx meter modes. – fixed
  • [Invisible Limiter G2] Lower bit of bit meter in WaveLab flaps after dither processing. – fixed
  • [Invisible Limiter G2] Release amount was held after every playback under extremely long release time setting. – fixed
  • [tranQuilizr] Total curve was calculated from all bands even under non-‘all ‘curve display modes. – fixed
  • [tranQuilizr] Potential crash on plugin GUI startup. – fixed
  • [tranQuilizr] Potential tiny (several kilobytes) memory leak bug. – fixed
  • [Wave Shredder] Potential pop noise on first playback. – fixed
  • [Windows] Wrong fallback condition of registry-stored common plugin settings. – fixed. 
  • Changes
  • [Invisible Limiter G2] Modern II is now startup mode.
Year / Release Date : 12.2017
Version : 1.8.2
Developer : AOM Factory
Developer’s website : AOM Factory
Format : WIN – VST, VST3, AAX MacOSX – AU, VST, VST3
Bit depth : 32bit, 64bit
Tabletka : present
System requirements : Microsoft Visual C ++ 2015 Redistributable Package (x86)
Microsoft Visual C ++ 2015 Redistributable Package (x64)
Windows and Mac OSX, both 32 and 64bit

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The Redd Umbrella - Bigwerks (KONTAKT)

The Redd Umbrella is a kontakt library designed with Grammy nominated, mulit-platinum producer Shawty Redd who has produced for artist such as Snoop Dogg, Young Jeezy, Gucci Mane, Rick Ross, Yo Gotti and much more. (Also Shawty Redd is currently working with Young Jeezy on a new tape, and you can bet he’ll be using The Redd Umbrella)
  • Over 150 Presets
  • 5 SOUNDS KITS included
  • Plenty of Fx to manipulate sounds
  • Arpeggiation, and two fx Pages
  • 4 GB of content, uncompressed
  • Custom impulse responses
IS THE REDD UMBRELLA WORTH IT?
BigWerks, Shawty Redd and TheBeatHouse teamed up to design a kontakt library with new sounds from big brass, sharp strings, dope melody arps, ground shaking 808s and much more.

INSTRUMENTS INCLUDE.
  • 808s, Arps, Bass, Choirs, Bells,
  • Brass, Choirs, Guitars, Hits, Keys,
  • Leads, Pads, Plucks & Strings.
ANY EXTRAS INCLUDED?
Yes, 5 sounds kits are included with purchase
  • Shawty Redd Loopz
  • Shawty Redd Trap or Die kit
  • BigWerks kit
  • BigWerks Vox kit
  • TheBeatHouse kit
SYSTEM REQUIREMENTS
  • The Redd Umbrella Kontakt Library runs on Kontakt full version 5.5.1 or higher
  • At least 4 GB of RAM (5 GB recommended), and 8 GB of free drive space
  • Est. download time for The Redd Umbrella Kontakt Library – 20 Min
  • Windows & MAC
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Trap Influenced - BigWerks (KONTAKT)

Trap Influenced kontakt library was designed to fit the many different styles of trap music from the uptempo to the more laid back style of trap production.

We designed this kontakt library with just the right amount of aggressive and laid back (trap soul) type sounds to fulfill the wide variety of trap music!

Trap Influenced Has 14 Instrument Categories…
It also has a easy to use & intuitive interface which makes tweaking sounds and
adding fx simple to do.

Instruments include:
  • Arps, bass, bells, brass, guitars, fx, strings
  • keys, plucks, synth leads, pads
  • 808s, flutes & synth keys.
FX include:
  • Amp envelope, filter envelope, filter, custom reverb.
  • Delay, phaser, eq, glide controls & arpeggiator.
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The Morpheus - BigWerks (KONTAKT)

The Morpheus is a kontakt library designed for all genre of music, game & film composers. With dark & ambient sounds, cinematic guitars, deep unique bass samples, vocals, and much, much more.

Over 350 Presets
Custom GUI
Plenty of Fx to manipulate sounds
Arpeggiation, and two fx Pages
9 GB of content, uncompressed
20 custom impulse responses

Is the Morpheus worth it?
Bigwerks and Xclusive-Audio spent 8 months creating and perfecting these sounds dynamically and sonically. With over 350 dark and cinematic sounds and also adding unique vocal runs, the Morpheus is a stand out kontakt library.
  • About the sounds
  • Guitars were recorded using Neumann microphones and/or recorded directly into the studio computers.
  • Strings, brass and choir samples were recorded by 3rd party company (BigWerks, Xclusive-audio also) and edited, programmed into kontakt by Bigwerks.
  • Pianos recorded/designed my Bigwerks (Xclusive-audio also)
  • Vocal recordings by Laquan Green.
  • All synth designs were created with hardware and virtual synthesizers.
  • Special thanks to Xclusice-audio who designed the gui and 100 of the 350+ sounds.
Instruments include:
Cinematic Guitars, Brass, bass, strings & pianos. Drones, Dark unique Pads, Vocals, 808s, Choirs, Arps, Bells, Hits, Plucks, Multi use & unique Fx, Guitar phrases, Leads, Synth.

FX include:
filter & amp envelopes, lfo controls(2), phaser, glide controls (mono, Leg.), e.q, hp & lp filter controls, screamer, cabinet, delay(2), reverb, chorus & arpeggiator

System Requirements
  • The Morpheus runs on Kontakt full version 5.1.0 or higher
  • At least 4 GB of RAM (8 GB recommended), and 12 GB of free drive space
  • Windows & MAC
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SampleTank 3 v3.7.1 and Soundbank - IK Multimedia

The ultimate sound and groove workstation
The SampleTank 3 interface is divided into 3 main “environments” for layering, mixing and editing sounds and grooves. We’ve taken the main aspects of the music production workflow and separated them into 3 main functional environments: the “Play” interface, the “Mix” interface and the “Edit” interface.

The PLAY page will be immediately familiar to SampleTank users: On the left is the browser where you load Multis (previously known as Combis), Instruments and Patterns. On the right is the Part Viewer where you can see the contents of each Part and adjust its most basic parameters.

SampleTank 3 lets you load multiple MIDI patterns in each Part. Now you can build inspiring grooves directly within the software and play them at will. The Live tab lets you bring SampleTank 3 on stage with you easier by giving you a clean way to organize your performances by set lists and Song, letting you have your sounds ready to play instantly with its smart loading management system.

The MIX page provides a traditional mixer interface with 5 effects slots for each channel. There are 21 channels in all: 16 channels for each Part, 4 returns for global “send effects” (like reverb and delay) and a master channel. This arrangement lets you get extremely creative — you can have up to 30 effects on a single instrument!

The EDIT page provides full access to SampleTank 3’s powerful synthesizer engine. There you can run your samples through everything from envelopes to LFOs to filters — And speaking of filters, SampleTank 3 features 10 new filter types for extreme sonic sculpting.

SampleTank 3 now supports direct integration with iRig Pads, IK’s ultra-portable MIDI groove controller.

Plug in your iRig Pads (or other pad-based MIDI controller) and you can take advantage of SampleTank’s Pad interface, which lets you assign SampleTank 3’s 16 parts to the 16 pads on your controller for a seamless and tactile “out-of-the-box” music production experience.

System Requirements 
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Miroslav Philharmonik 2.0.5 and Soundbank - IK Multimedia

The new orchestra with legendary soul - The most emotional orchestral collection ever
Strings that soar, woodwinds that dance, brass that commands and a full symphony orchestra of sounds at your fingertips — all expertly performed with musical articulations for real music played by real musicians. From flowing legatos to animated pizzicatos, from aggressive spiccatos to elegant staccatos, from the most subtle pianissimo to the most triumphant fortissimo and more, Miroslav Philharmonik 2 is a sweeping vision from a master artist embodied in a new virtual instrument that brings the orchestra to life. It’s not enough to just have good recordings of classical instruments. For a true symphonic experience, you need instruments performed by the absolute best musicians articulated in just the right way directed by a producer and conductor who knows the fine art of making living, breathing samples. Miroslav Vitous pioneered the concept of a complete symphonic sample library for real composers, and now he has taken it to the next level.

Features of IK Multimedia Miroslav Philharmonik 2 v2.0.5
  • Over 58GB of 24-bit / 96kHz high-definition samples
  • Includes the complete original Miroslav Philharmonik sound library optimized for more control with articulation switching and enhanced macros
  • Recorded and produced by jazz legend Miroslav Vitous
  • Over 2,700 stereo instruments that cover the complete orchestral spectrum and more
  • Multiple articulations per instrument with articulation switching
  • Comes with ConvoRoom convolution reverb with 3D GUI
  • 34 high-quality studio effects from SampleTank 3
  • 4 professional-grade mastering processors from T-RackS
  • Multi-channel mixer-like Mix interface with 16 channels and 4 insert effects per channel, 4 stereo effect returns (with 5 insert effects each) and a master channel with 5 insert effects
  • Access to the powerful instrument Edit page with 3 sample engines (including formant preserving pitch-shifting and time-stretching engines), 10 filter types and 8 macro controls per instrument for quick multi-parameter editing
  • Based on SampleTank 3’s powerful 64-bit engine
  • Recorded at CNSO Studios in Prague
Spectacular sound
Compelling output requires spectacular input, and Miroslav Philharmonik 2 delivers in grand style. Miroslav Philharmonik 2 offers a massive range of instruments that have each been recorded with jaw dropping level of detail. Its solo and ensemble instruments come with a treasure chest full of useful articulations that go far beyond the standard sustained, staccato and pizzicato.

In the established Miroslav style, these instruments are full of emotion and musicality. These are NOT static, generic acoustic instrument samples. With Miroslav Philharmonik 2, you get not only the sounds, but also the passion of a composer and his musicians who have spent their whole lives mastering their craft as living, breathing fine art.

Each of its instruments have been captured in glorious stereo audio at the prestigious CNSO Orchestra Studios in Prague, home of the Czech National Symphony Orchestra and a space that’s been used for recording by such legends as Andrea Bocelli, Ennio Morricone, Lalo Schifrin and, of course, Miroslav Vitous himself.
Every new sample has been expertly recorded and optimized for playback from a keyboard — they’ve all been hand edited and voiced by musicians so they retain that same emotional and musical characteristics and quality that made the original Miroslav Philharmonik such a mainstay classic.

System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra
indows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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MODO BASS v1.5.1 - IK Multimedia

MODO BASS is the first physically modeled bass virtual instrument that gives you an unprecedented realistic performance for your bass tracks. As a producer, you want the best possible bass sound you can get… you want realism, credibility and authenticity that delivers the most accurate and inspiring performance. Sometimes you just can’t hire the right bass player, and some virtual instruments out there can leave you flat and uninspired.

Enter MODO BASS - the industry’s first true physically modeled instrument from the leader in analog modeling technology. 8 years in the making and developed in collaboration with one of Europe’s oldest universities, MODO BASS is a completely new breed of instrument that delivers the best of both worlds: the realism and sound of an instrument being played by a master musician and the convenience of a plug-in virtual instrument.

But MODO BASS isn’t a virtual instrument by definition, it’s a completely new technology that redefines realism from a computer based instrument. MODO BASS is the first technology of its kind that models the entire process of playing bass. Every component that contributes to the unique tonal properties of a bass player playing an instrument has been modeled, and the effects of each component on the other ones — the interactions between each tone variable — has been recreated to give you a dynamic, living breathing and ever-changing performance. You see, traditional virtual instruments are sample-based, meaning that sound is produced by triggering recorded samples of instruments. MODO BASS isn’t a sample-based instrument, but rather a completely new technology where sound is generated by recreating the physical properties of a real instrument — everything that makes an instrument create sound is physically modeled and sound is synthesized in real time.

Features of IK Multimedia MODO BASS v1.5.1
  • The first physically modeled electric bass virtual instrument
  • Groundbreaking real-time modal synthesis technology — no samples used to create sound
  • Recreate virtually every electric bass sound imaginable
  • 14 iconic bass models that span the history of recorded electric bass
  • Models the entire act of playing an electric bass – player, instrument, FX & amp
  • Ultra-small memory footprint
  • Choose playing style — pluck, slap and pick
  • Freely move the playing hand for realistic performance
  • Customize string force, fingers used, pick thickness & technique
  • Customize string number, scale, tuning, gauge, construction, action, age
  • 24 faithfully recreated, interchangeable iconic bass pickups with volume
  • Choose active or passive electronics with parametric EQ
  • Under-bridge piezo pickup with blend
  • 7 bass stomp box effects configurable in 4-slot chain
  • 2 iconic bass amps – Solid State and Tube derived from AmpliTube
  • FX and amp global bypass for routing
  • Optimized resizable interface
  • Works as a 64-bit plug-in or standalone instrument for Mac/PC
  • Full MIDI control with MIDI learn, keyswitches
  • Full DAW automation control support
Whats New:
  • 2 new bass models: Imperial (based on a 6 string Fodera® Custom model); Metal (based on a 5 string Dingwall® Combustion NG2)
  • 6 string feature: all models can now be turned into 6 string basses
  • Drop A feature: drops the low B String to an A note
  • Redesigned, more flexible control section
  • Update is free for all current users
System Requirements.
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Three Body Tech - Heavier 7 Strings v1.1.5

Three-Body Technology proudly presents Heavier7Strings, a real-time playable sample-based virtual instrument thats brings back Heavy Metal to your productions. Equipped with a complete effect rack and a patterns library, this metal-style guitar library has everything you need!

The love for music, and a desire to create innovative studio technology was the mainspring that made Heavier7Strings possible. With total of 4 years in the making, using only top quality equipment, more than 10.000 samples were painstakingly recorded in 24-bit and 48 kHz. To top it all off Heavier7Strings comes with a self-developed sampler with no compromise on sound quality.

The Effect Rack
What is the first thing to do when one starts a virtual guitar? Usually it is to bypass all built-in effects, as they are mostly too primitive for any serious work. However, the effect rack provided in Heavier7Strings is complete and of production-level quality, not just a toy!

Effects Overview:
•19 Heavy Metal Effect Modules: Screamer, EQ12, AMP, Flanger, Pingpong delay, etc.
•16 AMPs with styles from heavy metal to clean sound, processing sample rate up to 8X
•66 cabinet IRs, four can be mixed simultaneously with different delay, volume and phasing
•Preset manager allows you to store your own effect presets, along with 200 factory presets

MIDI Patterns Library
Heavier7Strings contains a number of 200 predefined MIDI patterns, together with effect rack configuration. The style of these patterns ranged from metal, rock, pop, clean, and along with non-rhythmic noise and ambient sounds. All these patterns can be dragged into host DAWs, and users can define their own patterns by MIDI clip.

Patterns Overview:
  • 200 factory MIDI patterns together with effect rack presets
  • Various styles: metal, rock, pop, clean, along with non-rhythmic noise and ambient sounds.
  • Draggable into host DAWs
  • Users can define their own patterns by dragging MIDI into
  • Samples and Sampler
  • The sampler used in Heavier7Strings is self-developed, no third-party samplers were used.
  • It has following characteristics:
  • Direct read from disk
  • Shared sample buffer between instances to reduce memory consumption
  • Automatic fade out on disk-read overtime to avoid clicks & pops.
Built-in DSP Engine
  • A built-in DSP engine named THRASH (Tonal/Harmonic Reconstruction and Shaping) is included in Heavier7Strings to provide various tone adjusting functions:
  • +∞RR: in addition to 16x recorded RR at maximum, random timbre and envelope changes are applied on samples to provide more vivid RR playing;
  • True doubling: two guitars playing simultaneously on left and right channel, each has individual random note delay and RR selection.
  • Sample-based LFO: modulate sample pitch with pitch curves extracted from real-world vibrato playing. This technique is adjustable in both degree and frequency, and is more realistic than just modulate the pitch by sine/ triangle wave.
  • Dynamically recoups the formant during pitch-bend.
  • Digitally emulated tone knob and pickup switch;
  • Adjustable tension and resonance.
  • Performance
  • Infinite sustain
  • Hammer-on & pull-off
  • Legato slide in/out
  • Pinch harmonics
  • Tremolo
  • Gliss
  • Palm-mute
  • Picking-noise
  • Polyphonic legato
  • 24 “inspiration keys” to directly trigger specially played sounds/complex performances
  • String and fret board position
  • Up/down picking
  • Strumming: deduce complete chord from part of composing notes
  • Trigger power chords from root note
System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Positive Grid - BIAS AMP 2 (Build 1.0.870) FIXED

BIAS AMP 2 is the ultimate virtual amp designer, authentically recreating the tone and feel of real tube amplifiers, while allowing you to mix and match components to create your ideal amp. You can use Amp Match to clone the tone of real hardware or a guitar track, or connect to the ToneCloud® to gain access to thousands of custom amps from artists and recording studios, or upload your own custom tones to the cloud.

BIAS AMP 2 adds two new custom amp packs to your sonic palette. Blues is all about gooey clean to mid-gain amps, and Bass brings amps and speaker cabs just for bass guitars. Add in all of the custom component options, and you have literally thousands of custom amps at your fingertips. There’s nothing else like it!

BIAS AMP 2 represents a revolution in virtual amplifier design, providing the tools to take your ultimate guitar tone with you anywhere, from the studio to the stage and back again.

DYNAMIC TONE ENGINE
For BIAS AMP 2 we worked with artists, engineers and recording studios to improve the already hyper-authentic touch response of our amplifier circuits. The result is a new playing experience, with increased touch responsiveness and dynamics. With new tubes, transformer, dynamic tone control and a completely redesigned speaker cabinet module with multi-mic capability, you now have the tools to take your tone explorations further than ever before!

BIAS MEETS CELESTION
When it comes to speakers, Celestion is the most trusted name in the history of rock and roll. Their drivers have been used on more classic songs and tones than any other manufacturer, and their impulse responses are the favorites of guitarists ranging from Pete Thorn and Scott Henderson to George Lynch. We’ve partnered with Celestion to make their IR’s easier to use than ever before, so you can forget loading individual files! Just select a custom Celestion cab and start moving the mics around – BIAS AMP 2 does the rest.

REDESIGNED AMP PACKS
BIAS AMP 2 adds two new custom amp packs to your sonic palette. Blues is all about gooey clean to mid-gain amps, and Bass brings amps and speaker cabs just for bass guitars. Add in all of the custom component options, and you have literally thousands of custom amps at your fingertips. There’s nothing else like it!

LUSH REVERBS
BIAS AMP 2 features nine built-in reverbs – ranging from huge halls to intimate rooms – with full control over their size and character. Between the different reverb types and the extensive filtering and saturation options, BIAS AMP 2 has all your reverb needs covered.

NEW
AMP MATCH
AMP Match can already match the tone of any mic’d reference amp, but we’ve made it even better in BIAS AMP 2: now matching a tone is as easy as importing an audio file! Not only that, if you aren’t all that familiar with dialing amps yourself you can ask AMP Match to guess the circuit for you. You’ll get faster and better results no matter what your skill level is, making it even easier to get to your ideal tone.

THE WORLD’S MOST EXTENSIVE LIBRARY OF PRO TONES
The tone-creation possibilities are nearly infinite with BIAS AMP 2, which comes with 100 new custom amps in a variety of genres. Download artists’ signature amps, or try out the latest and most popular matched amp models created by your fellow guitarists. It doesn’t matter what kind of music you play or what kind of tone you’re looking for – chances are good that it’s on the ToneCloud®.

BIAS FX INTEGRATION
BIAS AMP was designed to integrate directly with BIAS FX, Positive Grid’s flagship amp-and-effects processing environment. All of the custom amplifiers you create with BIAS AMP 2 are automatically available in BIAS FX, providing a foundation for your ideal finished tone. Start with an amp that fits your playing like a glove in BIAS AMP 2, and then open it in BIAS FX and add pedal and racks effects. It’s a seamless and revolutionary workflow, making it easier than ever to create your own signature tones!

System Requirements 
Windows XP | Vista | 7 | 8 | 8.1 | 10 [64-bit]

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Red Giant - Universe 2.2.2 RePack

Red Giant Universe Premium offers a complete and an expanding collection of free and premium plugins for motion graphics artists and professional editors. Red Giant Universe includes dozens of high-quality transitions and effects for Adobe After Effects, Adobe Premiere, Sony Vegas, HitFilm Pro, Davinci Resolve, Motion, and Final Cut Pro. It offers real-time feedback and rendering, as well as a variety of advanced options that can be customized, no matter what host-application you are in.

Universe is over 76 GPU-accelerated effects and transitions for editors and motion graphics artists.Stylize Your Footage with Red Giant Universe. Give your footage authentic retro and modern day looks using tools like VHS, Retrograde Carousel, Glitch, Holomatrix II, and more.

STYLIZE YOUR FOOTAGE
Give your footage authentic retro and modern day looks using tools like VHS, Retrograde Carousel, Glitch, Holomatrix II, and more.

MOTION GRAPHICS
Create beautiful looping backgrounds and motion graphics elements with tools like HUD components, Line, Knoll Light Factory EZ, Fractal Background, and more.

TRANSITIONS AND EFFECTS
Build fast, unique transitions with little or no work. Add glows and other effects that give you better results and more shortcuts, options and control than anything in your host app.

Key features:
  • Create looping backgrounds and motion graphics
  • GPU-accelerated editing and motion-graphics plug-ins
  • More better results, more options and advanced control
  • Unique transitions with better results and more shortcuts
  • Free and premium transitions and effects, and more.
What’s new in Red Giant Universe 2:
  • Dozens of new tools and updated transitions and effects
  • New way to animate straight/curved lines between elements
  • New way to preview and apply effects, and much more.
System Requirements:
  • Windows 7/ 8/ 8.1/ 10 (64-bit only – all editions)
  • 2 GHz multi-core processor
  • 4 GB RAM
  • 1 GB disk space
  • 2 GB VRAM
  • OpenGL 2.1
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TechSmith - Camtasia 3.1.4

A powerful video editor that helps you create professional-looking screencasts by recording your on-screen activity and webcam stream. Camtasia is a flexible and handy screen recorder and video editor that provides the required tools and features to record and share high quality screencasts with ease.

Stunning video effects
Apply Behaviors that are perfectly designed to animate your text, images, or icons. Get a crisp, polished look without being a professional video editor.

Drag-and-drop editing
What you see is what you get. Every effect and element in your video can be dropped and edited directly in the preview window. And you can edit at resolutions up to beautiful 4K, for clear video at any size.

Exceptional performance
Camtasia takes full advantage of your computer’s processor with 64-bit performance. You’ll get fast rendering times and enhanced stability-even on your most complex projects.

Animated backgrounds
You’ll have access to a variety of backgrounds that grab attention right from the start.

Music tracks
Use music to set the mood of your video. All tracks are royalty free and safe to use on YouTube and Vimeo.

Icons
Choose from hundreds of icons, or bring in your own straight from your computer.

Motion graphics
Get lower thirds, intro slides, and more so you can start quickly and look great.

More features:
  • Record any part of your screen, down to the pixel.
  • Webcam lets you add a personal touch to your video.
  • Import images, audio, and video up to 4K resolution.
  • Build your videos quickly with multiple tracks for images, video, text, and audio.
  • Arrows, callouts, shapes, and more help you get your point across.
  • Add an intro/outro to the beginning or end of a clip, image, shape, or text.
  • Zoom, pan, or create your own custom motion effects.
  • A great way to add context to what you’re showing.
  • Add audio effects to recordings, music, or narration to enhance your video.
  • Adjust colors, add a drop shadow, change the clip speed, and more.
  • Add quizzes to see who is watching your videos, and how much they’ve viewed.
  • Put yourself in your video making it appear like you’re right in the action.
System Requirements:
  • Mac computer with an Intel processor (Recommended: Dual core 2.0GHz or faster)
  • (Mac OSX) 10.10 or later Quartz Extreme support (rendering is not supported on external USB monitors)
  • 2GB of RAM (Recommended: 4GB of RAM or greater)
  • 4GB of available disk space (minimum)
  • QuickTime X or later
  • Playback using the Smart Player is supported on Internet Explorer 11+, Chrome, Edge, Firefox, Safari 9+, iOS 9+, Android 4+ (Latest Chrome required)
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Auddict - Celestial Voices Ceres (KONTAKT)

Ceres is the first of the Celestial Voices, by Auddict, featuring the soaring, ethereal vocals of singer, Tanya Wells. Tanya’s flawless vocals, trained and refined in India, have taken her performing at the Cannes Film Festival for Anoushka Shankar, opening for Joss Stone, Nitin Sawhney and Nicki Wells (her twin sister), as well as recording vocals for the 2014 movie “Hercules”.

With this VST instrument, we aimed to capture as much of Tanya’s tone, style, artistic sound, and versatility in performance as we could, and as a result, you need only look at the screenshot below. Have a look at the range of the instrument, and then take a glance at the number of keyswitch notes available to you. Multiply these together, and you will have a rough idea of how deep and versatile this instrument really is.

Full list of articulations:
Sustains “aah, ooh, eeh and mmm”
“Normal” and “portamento” legato for All above sounds, totaling EIGHT legato interval sets
Mordents
Up-bend
Down-bend
Turns
Crescendo from nothing
Whispers
Complex Ornament
Phrases
Long Swells
Short Swells

Our TRUE Legato Sound
We put a lot of time and careful listening into achieving our legato sound, and auditioned different cross-fades, samples, sample orders, editing methods etc. In the end, we came up with a legato which combines elements which really stood out to us from methods we have seen in the past, as well as some neat tricks of our own. The result is the life-like sound you will now hear if you listen to/watch our demos, and ultimately, play with the instrument itself.

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TechSmith - Camtasia 3.1.3

With the Camtasia Studio software, you can capture and record your own screen. This software has the capability to recognize the movements of the screen and the performed tasks. With Camtasia Studio you can create professional clips without much skill. Using this software, you can also import and edit HD movies from your camcorder to Windows. Using the internal software, you can share and manage your product on the Internet.

Making movies is one of the most useful applications of this program. The ability to apply various effects on the film simplifies the work of making professional projects by this software.

Features and Requirements of Camtasia Studio:
  • Capture a window in Windows or a specific section of the screen or entire screen
  • Movie recording in various formats
  • Add photos and music to the shot
  • Take advantage of Free TechSmith Fuse for mobile recording
  • Professional and quick and simple clip editing
  • Apply different effects to movies
  • Utilizing a multi-part Timeline to combine multiple movies or music together
  • Ability to use animation on the movie to create a guide through the movie
  • Ability to share videos on YouTube and Google Drive
  • Has themes and images behind the background or music tracks and additional downloadable menus
System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | 10.12 | macOS H.Sierra

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Waves Complete Bundle (2018-03-14)

Featuring 64-bit support, faster scanning, faster loading, and faster processing, Wаves Version 9 opens up new dimensions of high performance plugin power.

From essentials like reverb, compression, noise reduction, and EQ to modeled analog hardware, surround and post production tools, artist signature collections and beyond, Wаves Bundles feature the best of Wаves GRAMMY award-winning plugins.

March 14th, 2018
  • Fixed: Scheps Omni Channel various bug fixes and improvements.
March 6th, 2018
  • Fixed: Crash in Nuendo 8.1 on Mac when trying to open any Waves sample based instrument.
February 27h, 2018
  • Added: F6 now includes a real-time spectrum analyzer.
  • Fixed: CTRL+drag plugin controls not working in Cubase 9.5.10 and Nuendo 8.1.0 on Windows.
  • Fixed: Surround plugins not showing up in Pyramix.
  • Fixed: H-EQ possible level spikes or artifacts when toggling controls or switching presets.
  • Fixed: GEQ and MetaFilter draw mode not working with touch-screens.
  • Fixed: H-Reverb preset menu sorting of hardware preset ’70 Tiled Room’.
  • Fixed: LinMB graphic issue in Audio Units.
  • Fixed: AudioTrack and F6 minor bugs.
February 8h, 2018
  • New release — Driver software is now available for Hear Technologies WSG Bridge.
February 6th, 2018
eMotion LV1 (v9.14.0.354)
  • Fixed: Session/Scene load — some channels’ parameters reset.
  • Fixed: ‘Recall Safe’ not saved/loaded correctly.
  • Fixed: Plugin/bus delay compensation not updated.
  • Fixed: Scene data overwritten when flipping channels to stereo.
  • Added: Matrix channels — Mono/Stereo toggle.
  • Added: Aux channels input — Select global source position (INP/PRE/PST/PSP).
  • Improved: Sessions/scenes loading time and recovery time.
  • Improved: Stability and general performance.
  • Improved: Controllers using Mackie protocol (i.e. Icon Platform, X-touch etc.) — stability and mapping.
Firmware update for SoundGrid Servers (v9.7.99.906)
  • Fixed: Some plugins would cause servers to crash.
  • Fixed: Intel-based NICs in some Server One and Extreme Server models caused occasional audio drops.
  • Improved: Performance for servers with Realtek NICs.
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n-Track Studio 9

n-Track Studio 9 – A recording studio in your computer. Introducing n-Track Studio 9. Studio quality recording, editing and mixing software. n-Track Studio brings you professional audio quality and easy workflow.

New in Version 9:
  • Version 9 has been completely redesigned, and introduces
  • New creative tools: VocalTune and Guitar & Bass amp simulators.
Guitar Amp
  • Make your guitar sound huge by choosing among great amp head simulators, and different modern and vintage cabinets inspired by classic models.
  • The new Guitar Amp plugin features new algorithms that simulate the sound of classic amp heads, and real impulse responses taken from vintage and modern cabinets models. You can also choose different microphone types, and play around with mike positioning and gain control.
  • Check out the demos for some examples of what the plugin can do to a clean, unprocessed guitar sound.
Bass Amp
  • Ever felt your bass recordings needed that extra drive, lowend or grit to sit nicely in your mix and surprise your listeners?
  • Well, you’re going to like this!
  • The new Bass Amp plugin features bass amp head simulation, and you can choose between various cabinet models, for sounds ranging from deep, driven basses to more present and high-end rich ones.
  • Check out the demos for some examples of what the plugin can do to a clean, unprocessed bass sound.
VocalTune
  • The new VocalTune plugin lets you easily fix your vocals pitch. You can also snap your vocals to common scales, as well as create your own.
  • Using VocalTune you can do anything from simple pitch correction to completely transform your vocal.
  • Check out the demos for hearing some of the results you can get using this plugin.
Piano Roll
Write and edit MIDI data for controlling virtual instruments using the intuitive built-in piano roll editor.

Step Sequencer
Create beats, sequences or arpeggios easily with the new Step Sequencer.

Screen Drumkit
The new screen Drumkit controller lets you play drum sounds with the look and feel of a real kit.

Guitar Amp
Make your guitar sound huge by choosing among great amp head simulators, and different modern and vintage cabinets inspired by classic models.

Bass Amp
Ever felt your bass recordings needed that extra drive, lowend or grit to sit nicely in your mix and surprise your listeners? Well, you’re going to like this!

VocalTune
Using VocalTune you can do anything from simple pitch correction to completely transform your vocal.

Songtree Integration
n-Track Studio 9 brings music collaboration inside your DAW environment. The new integrated Songtree app lets you make music with others online. Get another musician into your project, or contribute to a song started by others.

System Requirements 
Windows XP | Vista | 7 | 8 | 8.1 | 10 [64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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Alien Skin - Software Photo Bundle Collection (2018.03)

Alien Skin Software Photo Bundle Collection 2018 Download Alien Skin Software Photo Bundle Collection 2018 Download Alien Skin Software image Bundle assortment 2018 will make an advanced and creative photo editor also it’s going to lead you whenever there is an mistake into your modifying. This will enable your photos to appear natural and perhaps not too digital. Alien Skin Software image Bundle Collection 2018 lets you work quickly in addition to smartly. You are able to utilize this particular application in a exact smooth way as there are no hiccups like imports,


Alien Skin Software Photo Bundle Collection 2018.03:
  • Alien Skin Exposure X3 Bundle 3.5
  • Alien Skin Exposure X3 3.5
  • Alien Skin Snap Art 4.1.0.155
  • Alien Skin Blow Up 3.1.0.151
  • Alien Skin Eye Candy 7.2.0.50
System Requirements.
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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Kontakt 5 v5.7.3 I Native Instrument FIXED

Once again, NATIVE INSTRUMENTS raises the bar with KONTAKT 5 - the latest version of the industry-leading sampler. KONTAKT 5 takes a bold leap forward with 37 new filters, four new on-board studio effects, updated time-stretching, a new instrument bus system and more. As you will see from the new STUDIO DRUMMER, for example, it’s a deep-rooted update to the KONTAKT platform, allowing us -  and you - to create even better instruments and more powerful, expressive sounds.

THE WORLD’S MOST POWERFUL SAMPLER
Unprecedented power, a vast instrument library, effects and an advanced sampling framework plus deep editing capabilities.

FLEXIBLE AND POWERFUL SAMPLER
  • Play and control stunning, true-to-life sampled instruments
  • Ultra-deep sample editing and instrument building options
  • On-board library with 1,000+ instruments and 43+ GB of samples
INSTRUCTION:
1. Install Kontakt 5.6.5
2. Install Kontakt 5 v5.7.3 Update.pkg
3. Copy Kontakt 5.6.0.app to Kontakt folder /Application/Native Instruments/ Kontakt 5/
4. USE Kontakt 5.6.0.app TO ADD LIBRARIES!!!
5. Install Native Access from Offsite NI (if needed)

What’s New:
  • IMPROVED Kontakt now starts noticeably faster, especially on systems with many Libraries installed
  • FIXED exFAT drives would not show up in Kontakt’s File Browser on macOS
  • FIXED APFS drives would not show up in Kontakt’s File Browser
Name: Native Instruments Kontakt 5
Version: 5.7.3
Mac Platform: Intel
OS Version: OS X 10.10 or later
Processor type(s) & speed: 64-bit processor

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Apple Logic Pro X 10.4.1 - New Update

Apple Logic Pro X 10.4.1 - Stability/Reliability
Smart Tempo 
  • Advanced tempo detection lets you automatically combine content together, regardless of their original tempo.
  • Record audio without using a click or drag in an audio file and have the performance define your project tempo.
  • Add any audio file and have it automatically conform to the project tempo.
Plug-ins
  • ChromaVerb is a sophisticated new algorithmic reverb with a colorful, interactive interface for creating rich acoustic spaces.
  • Space Designer has a new design and a scalable, Retina interface.
  • Step FX adds rhythmic multi-effect processing using 3 powerful step sequencers and an X/Y pad.
  • Phat FX makes your tracks bigger and bolder using 9 effects that add warmth and punch to your sounds.
  • The Vintage EQ Collection provides 3 accurate models of vintage analog EQs from the 1950s to the 1970s.
  • Studio Strings and Studio Horns are deeply sampled, realistic ensemble instruments with custom articulation controls.
  • Mellotron is now available as a standalone instrument plug-in.
  • Retro Synth now offers 18 different filter models.
Content
2 new Drummers play roots and jazz-influenced brush styles.
2 vintage brush kits for Drum Kit Designer .
More than 800 new loops in a variety of instruments and genres.
New Visions library for Alchemy adds 150 cinematic presets.

Other Enhancements
  • You can now undo mixer and plug-in actions.
  • The Files Browser now allows you to bookmark locations for your favorite folders containing samples or projects.
  • In addition to Apple Loops, the Loop Browser now supports looping audio file and can preview them in sync with project tempo.
  • A new universal design for controlling articulations provides a consistent interface for Logic and third-party instruments.
  • Plug-ins: The Direction Mixer plug-in has an updated interface, and offers new functionality.
  • The Audio Track Editor can now be opened as a stand-alone window.
  • Logic now supports the Audio Random Access (ARA) standard.
  • Plug-ins: The Category and Manufacturer sections at the left side of the Plug-in Manager window now scroll independently of one another.
  • Region quantization can now be set from a submenu in the contextual menu opened by right-clicking on a region.
  • There is now a preference to toggle user interface animations on or off.
  • There four new options for the behavior of Replace mode when recording MIDI: Region Erase, Region Punch, Content Erase, Content Punch.
  • Smart Controls and Instrument plug-ins now offer a key switch view for Articulation IDs.
  • Transformer, Transform Window, Environment Faders and Step Editor can now edit MIDI fader events.
  • Logic now supports bouncing files as 32-bit float.
  • Click-holding the Replace button in the Control Bar now brings up new options to set the behavior of replace – Content Erase, Content Punch, Region Erase and Region Punch.
  • There is now an option to have Logic automatically set a new color for each newly created audio, software instrument, or external MIDI track.
  • There is now an option to switch the first automation lane in a track to show the last clicked control.
  • There are now Key Commands for Undo and Redo in plug-in windows.
  • The File Browser and Loop Browser now show a waveform overview and playhead when previewing files and loops.
  • Plug-ins: Plug-in windows offer a new Multilink mode that updates open plug-in windows per insert slot as channel strips are selected.
  • Articulation symbols automatically added to the score based on their note articulation setting are colored blue in the Score.
Logic no longer quits unexpectedly:
  • When enabling Transient editing on audio files in the Audio File Editor while playing back.
  • Sometimes when computing time alignment during sample analysis in Alchemy.
  • When shift-clicking regions in the Tracks area while the Score window has focus.
  • If a connected USB MIDI controller is disconnected or powered off while the Control Surface Setup window is open.
  • When the Tab key is pressed after deleting a value in the Destination field of the Copy MIDI Events dialog.
Performance
  • Zooming with the Magic Mouse or Trackpad in the Audio File Editor is now smoother.
  • Playback sound quality of Apple Loops is improved.
  • There is no longer a large delay and spinning wait cursor when moving a large selection of short regions in a project.
  • Editing within a large Logic session no longer sometimes becomes sluggish.
  • Logic’s performance is improved when working with projects that contain long movie files.
Alchemy
  • Alchemy now offers new options in the Loop Mode menu to modulate the start/end point and length of loops.
  • Alchemy LFO Rate sync button now also enables clock sync for LFO Delay and Attack settings.
  • Alchemy now offers 4 additional MIDI sources that can be assigned to modulation destinations.
  • Alchemy now offers a side chain input that can be used as a source for envelope followers.
  • Alchemy now has a dedicated Envelope Follower tab in the modulation section which offers control of the attack and release of the envelope follower, as well as the option to apply the envelope follower to modulator outputs as well as to audio signals, together with the option to scale up the depth of the effect for more drastic effects on quieter signals.
  • Alchemy now offers a back button to navigate back to a previous Mod Target.
  • Alchemy’s transient selection in Spectral Analysis mode is improved, resulting in better sound quality when syncing loops to tempo.
  • The modulation Smooth control now has increased range.
  • Alchemy now offers a “Swap with Source” option in the Source menu for experimenting with imported samples on different Sources.
  • Option-clicking on a source in Alchemy’s global area now solos the clicked source.
  • The mapping of Alchemy controls to supported MIDI hardware controllers has been improved.
  • Option-clicking controls in Alchemy now sets each to a sensible default setting rather than setting each one to 50% by default.
  • When importing multiple EXS files which contain multiple groups which are the same except for different velocity or key ranges, these groups are merged into a single group to facilitate easier editing in Alchemy.
  • The Snap menu for Arp Tune in Alchemy now offers increased resolution.
  • Alchemy’s Speed control readout now displays 2 decimal places for values below 10%.
  • Sub-menus in Alchemy’s Sound Library again list items in alphabetical order.
  • It is no longer necessary to press Enter when entering text to start a search in Alchemy’s presets.
  • Newly initialized sounds in Alchemy now have an initial modulation depth of 0%
  • The attack of notes played legato style in Retrigger mode in Alchemy no longer sometimes sounds distorted.
  • There is no longer a slight delay in responsiveness when switching Alchemy’s Analysis Mode while loading large samples.
  • Alchemy LFO Rate sync button now also enables clock sync for LFO Delay and Attack settings.
  • The initial transient of a loop in Alchemy is now properly triggered when the loop is sustained for more than one iteration.
  • Auto-assigning a performance control to a Transform Pad Snapshot no longer unexpectedly renames Snapshot 1.
  • The Framing Box no longer sometimes jumps unexpectedly when clicking transform pad snapshots.
  • The Copy Modulation command no longer sometimes fails to copy the modulation source when pasted to another location.
  • Stored Alchemy Snapshots no longer sound different when copied and pasted to other snapshot locations.
  • Adjusting the Smooth control for a modulator from a value of 0 no longer causes occasional clicks in Alchemy’s output.
  • When the last step in Alchemy’s arpeggiator is tied, there is no longer an unexpected extra note at the end of each set of steps.
  • Pitch Bend now works as expected with the Alchemy “Air Strings” preset.
  • MIDI CC messages sent to Alchemy from an external controller now work when the controller is transmitting on a different MIDI channel than the notes already recorded in the region.
  • Alchemy’s Waveshaper Pre and Post gain labels now display accurate values.
  • Alchemy’s filter types have been renamed to more clearly indicate how they sound.
  • Alchemy now automatically switches to the Advanced view after an Initialize Preset command is used.
  • If an Envelope Follower preset is loaded that refers to a Source that is not present in the current Alchemy instance, it now is set to another Source of the same type.
Plug-ins
  • The MIDI Modulator plug-in now offers tempo synced timing for the envelope at user definable note values.
  • Side chain detection on Software Instruments tracks in live mode is no longer delayed .
  • Side chain signals routed to the Compressor plug-in are no longer summed unexpectedly to mono.
  • Logic now supports the Audio Unit ShortName API, improving the display of Audio Unit names on insert slots for plug-ins that include a short name.
  • Mono-legato mode in EXS24 now works reliably when streaming samples from disk is enabled.
  • Automatic delay compensation now works correctly with bypassed dual mono audio plug-ins and multi mono Software Instrument plug-ins.
  • Retrosynth includes four new filter models
  • The Compressor plug-in now maintains the Graph display when the plug-in is closed and then re-opened.
  • Playing the same MIDI note on two channels for the same multi-channel instrument no longer sometimes leads to hung notes if the MIDI Modifier plug-in is inserted.
  • The Dry/Wet control on the I/O plug-in can now be automated.
  • It is now possible to immediately type in new values for controls in the Modulator plug-in after opening the plug-in window.
  • Channel EQ offers a new Proportional-Q mode.
  • The Top Level category in the Plug-in Manager can now be added to a group of multiple selected categories.
  • The MIDI Modifier plug-in now properly handles Release Velocity as its Input source.
  • The MIDI Modulator plug-in now shows the correct waveform when the Factory Default setting is recalled.
  • The Drum Machine Designer plug-in window no longer appears to disappear when Logic is switched to full screen.
  • The Tremolo Speed control on the Pipa instrument now responds as expected.
Drummer
  • Canceling the alert when changing Drummers no longer leaves the new Drummer character highlighted but not active.
  • The “Trim Region End to next Region” key command now works for Drummer regions.
  • With two instances of Drum Machine Designer open, switching from the Kit Piece display to the Main display in one instance no longer causes the second instance to also change from the Kit Piece display to the Main display.
  • Drummer tracks no longer sometimes unexpectedly stop outputting audio after recording an audio track when the preference for Overlapping Recordings for MIDI with Cycle Off is set to Create Take Folder.
Automation
  • Right-clicking to switch the visible automation parameter in a track again works as expected.
  • Region automation now works correctly when there is a muted a region on another track using the same channel strip.
  • Pitch bend and Note velocity now work when switching to them from a Smart Control parameter in the MIDI Draw view.
  • Automation can now be edited directly in the Piano Roll and Audio Track editor.
  • Stepped automation values can now be directly written into Automation Lanes.
  • Region Based Automation now accurately shows the mute status of all MIDI notes.
Apple Loops
  • User created Green Apple Loops now transpose to the song key as expected.
  • Loops no longer sometimes appear to missing in the Loop Browser after updating to macOS 10.13 High Sierra.
  • Apple Loops in the Tracks area now show a glyph to indicate when they are playing at ½, 2x or 4x speed.
  • The Loop Browser now offers a new view for Untagged Loops.
Flex
  • Double-clicking a Flex Pitch event now sets the note to perfect pitch.
  • When transposing Flex-pitched notes in multiple selected regions, all notes now reliably transpose to the correct pitch.
  • “Reset all” in Flex Pitch now works correctly after “Set all to Perfect Pitch” has been applied.
  • The display of flex pitched notes in the Audio Track Editor now reflects the region transpose setting.
  • Dragging an audio region with Flex is turned off onto a different track with Flex mode enabled no longer activates Flex for the region.
  • Flex Pitched notes now display at their correct pitches at high zoom levels in the Tracks area.
  • Inactive flex markers are no longer deleted when trimming a region in a track where Flex is currently disabled.
Takes and Comping
  • Using record toggle to stop a recording within a Take folder with a comp currently active, the last recording is reliably added to the comp in cases cycle is active where recording is stopped before the end of the Take folder.
  • Right-clicking on a closed Take Folder now displays a list of all Takes it contains.
  • Dragging a Take folder in a track folder no longer causes the Take folder to shift forward in position.
  • Comping a Take folder in a group of flexed tracks no longer sometimes causes some comp segmented to be shortened unexpectedly.
  • When Count-in is enabled, recording over an existing region that is less than 1 bar long now reliably creates a Take Folder.
  • When Overlapping Recording for MIDI is set to create Take folders, notes from previous takes no longer sometimes play while recording in cycle mode.
  • The order of Take regions within a Take Folder can now be changed.
  • Marquee edits on Take regions now are applied to all tracks in an edit Group.
  • Switching Takes now works for both audio and MIDI tracks that are members of the same Group.
Track Alternatives
  • Marquee selection now works as expected when applied to grouped tracks that are using different Track Alternatives.
  • Selection now works properly on grouped tracks with different active Track Alternatives when the inactive Alternatives are visible.
Track Stacks
  • Holding the disclosure triangle on a Track Stack no longer causes it to cycle quickly between open and closed.
  • Option-clicking the disclosure triangle on a Track Stack to toggle all stacks now affects nested stacks as expected.
  • Applying a surround patch to a track within a Summing Track Stack no longer causes all the regions in the Summing Track Stack to be collapsed to a single track.
Smart Controls
  • The correct Smart Controls are now reliably mapped to each track in layered patches in saved projects when they are reloaded.
  • Adding a new mapping to a Smart Control mapping set no longer unexpectedly removes automation written from an existing mapping.
  • The Smart Controls area no longer sometimes becomes vertically stretched after being resized.
  • User assigned Smart Controls no longer sometimes disappear when a second project containing the same Smart Controls is opened, or when importing only regions and automation from a different project.
Mixer
  • It is now possible to delete Groups.
  • Option-clicking the Group slot on a mixer channel now adds all currently selected channels to the last selected Group.
  • Command-clicking the Solo button on a track to activate Solo for all tracks no longer also solos hidden tracks.
  • When the Mixer is set to a small size, scrolling it now reliably shows all channel strips.
  • On multiple display setups, new plug-in windows now open on the display containing the clicked insert.
  • Pasting “Sends Only” or “Plug-ins Only” to a channel strip no longer also pastes the icon from the copied channel strip.
Accessibility
  • VoiceOver no longer emits continuous beeps when a Take Folder is open.
  • Logic no longer hangs when using VoiceOver plus the Shift key to precisely position the Playhead.
  • It is now possible to switch from the integrated Piano Roll editor to the Score using VoiceOver.
  • The Add Drummer region button in the Tracks Area is now accessible with VoiceOver.
  • It is now immediately possible to interact with a newly created Drummer region using VoiceOver.
  • Drummer characters can now be selected using VoiceOver.
  • Quick Help overlays no longer cause VoiceOver to toggle on and off quickly.
  • The button to download sounds in the Patch Library is now accessible with VoiceOver.
  • It is now possible to make fine adjustments of values in the LCD using VoiceOver.
  • VoiceOver now works in the Configure Track Header, Customize Control Bar and Display, and Configure Channel Strip windows.
  • Voiceover now announces the status of Solo and Mute when the key commands to toggle them are pressed.
  • VoiceOver now allows recorded takes to be selected as expected in audio Take Folders.
Export/Bounce
  • Logic no longer sometimes sets the path for a bounce from a project that was created as a package to the location of the previous project, when that project was created as a folder.
  • Tracks that use Hermode Tuning now bounce correctly.
  • MIDI files exported from Logic no longer contain incorrect extra Time Signature and Tempo metadata.
  • The Export > Add to Loop Library command no longer unexpectedly renders the channel strip volume setting into the created Apple Loop.
  • There is now an option to export all MIDI tracks as a MIDI file.
Import
  • The state of the track On/Off button is now maintained when importing individual tracks into a project.
  • Aux channel strips are no longer imported as Instruments when importing from the Environment window.
  • Logic now properly calculates the start time for trimmed clips when importing Final Cut XML 1.6 files.
System Requirements.
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra

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