Voxengo - Crunchessor v2.10 (Dec 2018)

Crunchessor is a track compressor AAX, AudioUnit and VST plugin for professional sound and music production applications. One of its main advantages is the ease of tuning, which at the same time instantly delivers an excellent sonic performance. Another remarkable feature of Crunchessor is its valve-type processing, which is applied in parallel to compression. This makes Crunchessor an ideal choice for musicians and producers who are fond of analog compression sound and its warmness.

Beside this, Crunchessor offers you a selection of compression coloration styles–by itself a pretty unique feature for a compressor. By choosing an appropriate coloration style, you can add the character most suitable for the sound material you are working with. As an option, you can disable both coloration and valve warming processing to get a neutral and clean compression sound.

Being a multi-purpose compressor, Crunchessor can be used for any kind of sound material: drums, vocals, bass, guitars, synth sounds, etc. Crunchessor can be suitable both for single track and whole mix processing. Crunchessor also accepts external side-chain source signals and allows you to filter key signal sources before they are used for compression.

Features of Voxengo Crunchessor v2.10
  • Easy compression tuning
  • Valve warmness
  • Coloration styles
  • External side-chaining
  • Key signal filtering
  • Stereo and multi-channel processing
  • Internal channel routing
  • Channel grouping
  • Mid/side processing
  • Up to 8x oversampling
  • 64-bit floating point processing
  • Preset manager
  • Undo/redo history
  • A/B comparisons
  • Contextual hint messages
  • All sample rates support
  • Zero processing latency
  • User interface color schemes
  • Resizable user interface
  • Retina and HighDPI support
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Soundspot - Kara v1.0.1 (Dec 2018)

We love pluck sounds…who doesn’t, but often when you start layering different sounds, you find yourself at the bottom of the rabbit hole with the laborious task of going into each synth and tweaking the envelopes to make each sound cohesive.

This is a personal bugbear for the team at SoundSpot during the production process, and we all wished that there was a plugin that could control the cutoff envelope on the group as a whole, so we decided to start work on a plugin that would do just that.

Introducing KARA – A bus processor designed to process multiple signals, into one cohesive sound.

Features of Soundspot Kara
As the KARA is an audio processor and receives no midi information, the first task was to find a way to trigger the cutoff envelope in a stable way. We achieved this by creating an RMS trigger that works much like a compressor, so when the signal hits the user definable threshold, which is set using the Sens parameter, the envelope and filter are triggered creating the pluck sound.

We’ve also added a delay to the end of the signal chain within the plugin, so there’s no need to have an additional delay unit after the KARA and using up any more of your precious CPU.

We also suggest using Kara on individual sounds, as whilst the plugin was designed to be used as a group processor, it can also yield fantastic results on single pluck sounds to add a more analog sound, so why not download the 14 day trial version today and see how it can take your pluck sounds to the next level.

Please note that whilst the preset manager is present in the Kara, we have not provided any factory presets. As the results achieved by the plugin hugely depend on the source signal, we decided that making presets wouldn’t yield consistent results, and therefore factory presets would not add any value to the user, and the inclusion of the preset manager was intended to allow users to save their own presets.

As Kara is so dependent on the source signal, we have decided to release an artist series synth preset bank which will include Kara presets that are designed to sound great specifically using Kara alongside them.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Loopmasters - Bass Master v1.1.2 (Dec 2018)

Heavy, speaker-shaking tones are just a few clicks away with Bass Master. This instrument is totally dedicated to bass, and it’s built on Loopmasters’ award-winning sonic history.

Bass Master’s huge variety of source sounds provide the inspiration for a weighty, powerful bass tone in any genre. Across two layers, the curated set of 217 waveforms (that’s almost 50,000 possible combinations), taken from a mixture of legendary hardware classics and cutting-edge synth science. Considering Loopmasters’ pedigree as purveyors of top-quality sounds for decades, why accept anything less?

Bass Master comes with over 350 mix-ready presets with a clean and simple UI, meaning it’s a breeze to dial in your ultimate bass tone.

Features of Loopmasters Bass Master v1.1.2
  • Authentic immense sound – Two sample-based oscillators with 217 waveforms sampled from the best modern and vintage bass sources.
  • Endless inspiration – Over 350 Presets from professional sound designers and top artists, plus waveform randomisation for instant modification.
  • Shape your sound – 13 Filter types with dedicated filter envelope and LFO modulation
  • Boost the bass – Unique three-band Frequency Booster for added crispness, body and bass
  • Add dirt, width and space – Distortion, Chorus and Reverb effects offer a choice of algorithms
  • Mod-wheel macro – Assign any three parameters to the mod wheel
  • Sculpt powerful transients – ADSR (Top) and AR (Sub) Envelopes, Signal Mixer
  • Keep the low-end clean – Direct Out control for the Sub, Sample Start selection for the Top Layer
  • Take global control – Legato/Portamento playback with Glide, Pitchbend up to +/-12 semitones
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Loopmasters - Khords v1.0.1 (Dec 2018)

KHORDS is a focused instrument that brings sampled personality and classic character to your productions. With 550 inspirational chord presets at your fingertips, it’s never been easier to get mix-ready tones straight into your tracks.

The huge sound library is stocked with stabs, plucks, strums, pads, atmospheres and tons more creative sources, letting you instantly inject new feeling into any genre of music. With the diversity and quality of Loopmasters’ sampling pedigree onboard, Khords is guaranteed to hit the spot every time.

Choose from major, minor and single note categories, and browse for any instrument combination that works for you. Khords’ random selector keeps with the same major/minor feel, so you can try new setups without losing tonality.

Khords’ synth engine is intuitive but powerful, offering real-time audio warping to control the pitch and timing of samples, 12 filter types, amplitude and filter ADSR, LFO, and effects to bring extra character to your sound.

Features of Loopmasters Khords v1.0.1
  • Choose from 315 inspirational chord and note samples
  • 550 diverse presets to get you started
  • Determine your feel with Major, Minor and Root/Open categories
  • Timestretch & Shift formants to change a sample’s character
  • Randomise samples within the same category to keep major/minor feel
  • Chord samples re-pitch up and down the keyboard for a classic sampling feel
  • 12 types of filter with Pre-Drive, Resonance and Key Tracking
  • Filter ADSR Envelope and Filter LFO with Amount, Rate, Shape, Phase and Trigger
  • Six Chorus algorithms, three Delay types and six Reverb environments
  • Set four Mod Wheel destinations from a comprehensive list of choices
  • VST/AU plugin Instruments for PC and Mac
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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MusicLab - RealGuitar v5.0.1.7388 (Dec 2018)

If you are serious about creating truly realistic sounding solo and accompaniment guitar stuff for your songs, our product called RealGuitar is just what you need. RealGuitar is a sample-based virtual instrument with an innovative approach to guitar sound modeling and guitar part performing on keyboard.

RealGuitar 5 is a combo of two instruments: Classic – all of our original guitar models with loads of new features, and Steel String – the debut of new guitar sample set with five patches and three tunings for each.

The true power of RealGuitar lies in brand new technologies incorporated in this innovative guitar performance tool:
The unique Multi Performance technology allowing to easily switch between strumming, soloing, string picking performance techniques, using just the velocity of pressed keys.
Song Mode turning RealGuitar into a powerful and easy-to-use songwriting tool allowing you in no time create perfect guitar backing tracks for your songs. Simply insert chord symbols and rhythm patterns into the built-in Song Track – and your guitar part is ready!

Advanced Humanize section of RealGuitar allows to easily add realism to the performance, both live and step-recorded in a MIDI track, or automatic.

Our original Floating Fret Position technology, which imitates change of fret position of a guitarist’s hand on the neck. This gives you the possibility of playing on up to 104 guitar frets using just 43 keys of a standard keyboard!

Our original Guitar Touch technology letting you easily imitate basic guitar techniques (strumming, plucking, sliding, bending, muting, etc..), using standard MIDI keyboard and MIDI controllers, such as Pitch Bender, Modulation Wheel, Sustain Pedal, Aftertouch.
Guitar Rhythm Pattern technology providing powerful Pattern Manager completed with huge MusicLab Guitar Pattern Library for easily creating guitar accompaniment tracks. All you have to do is to find the appropriate rhythm pattern(s) in the Pattern Manager tree view, copy it to the needed number of measures, start your sequencer and use MIDI keyboard to play chord changes, or alternatively add chords to a MIDI track via sequencer’s editor.

These technologies allow to closely emulate live guitar sound and techniques, letting you perform guitar parts with a whole new level of realistic expression.
System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Steinberg - Cubase Elements v10.0.10 eXTender (Dec 2018)

Cubase Elements welcomes you to the world of Cubase, offering a streamlined music production environment with plenty of features that help seize the moment when musical creativity strikes. Sharing the same pristine audio quality as its larger siblings in the Cubase family, Cubase Elements provides the perfect starting point for intuitive song writing, studio-grade recordings and finalizing your mix. Do you want to elevate your sound to a new level? Cubase Elements is your next step.

Award-winning 64-bit floating-point Steinberg audio engine, flexible routing and full automatic delay compensation. Simultaneous playback of 48 audio tracks, 64 MIDI tracks and up to 24 physical inputs and outputs. MixConsole for pro mixing desk experience and integrated high-end channel strip with dynamics and EQ

Three outstanding virtual instruments comprising the HALion Sonic SE workstation, Groove Agent SE drum machine and Prologue synthesizer. Over 40 audio effect processors, including high-end VST Dynamics, Pitch Correct for vocal intonation correction and the VST Amp Rack guitar tone suite. Powerful sample editor covering all common editing tasks and providing creative freedom while editing audio

Chord Track and Chord Pads for playfully and creatively composing with chords
Comprehensive content library with thousands of instrument sounds, MIDI construction loops and audio samples. Basic score editing features for music notation and composition. Full upward compatibility with Cubase Pro and Cubase Artist for seamless upgrading to the next level.

Install order:
0. Us eLicenser Antitrial Switch to disable AntiTrial if installed
1. Download & install body from web Steinberg
2. Activate trial license.
3. Don’t apply “Start usage period” & backup license file c:\ProgramData\Syncrosoft\SeLicenser.sel
4. Apply “eLicenser Antitrial” or enable if installed. Protect the c:\Program Files (x86)\eLicenser\POS\ folder from Defender or other stupid antivirus software.
5. Apply “Cubase Elements v10 eXTender” – choose first variant for fresh trial (or rebuilted license from backup) or second variant for expired trial

Team V.R
“eLicenser Antitrial beta” work for Steinberg eLicenser soft protected trials, but currently unstable for dongle-trials ??
Also some ugly Steinberg installer freezes with enabled antitrial – use Antitrial Switch to temporary disable antitrialing during installation


Antitrial with optional license:
  • Retroloque 2
  • PadShop Pro
  • Zero Gravity Instrument Set for Padshop
  • Granular Symphonies Instrument Set for Padshop
  • Granular Guitars Instrument Set for Padshop
  • Discoveries Instrument Set for Prologue
  • sonote beat re-edit
  • Allen Morgan Signature Drums Vol.1 for Groove Agent ONE
  • Allen Morgan Signature Drums Vol.2 for Groove Agent ONE
  • ElekDrums for Groove Agent ONE
  • Prime Cuts for Groove Agent SE
  • Metronomic Cinema for Groove Agent SE
  • Neuro Mindset for Groove Agent SE
  • Colliding Worlds for Groove Agent SE
  • Future Past Perfect for Groove Agent SE
  • Songwriters Drum for Groove Agent SE
  • Nashville for Groove Agent SE
  • Simon Phillips Studio Drums for Groove Agent SE
  • Neo-Soul Keys for Halion Sonic SE
  • TriebWerk for Halion Sonic SE
  • Dark Planet for Halion Sonic SE
  • Hypnotic Dance for Halion Sonic SE
  • HALion Symphonic Orchestra for Halion Sonic SE
Cubase Elements extended:
  • Number of audio tracks up to unlimited
  • Number of MIDI tracks up to unlimited
  • Number for instrument tracks up to unlimited
  • Physical inputs and outputs up to 256
  • Group channels up to 256
  • FX return channels up to 64
  • Number insers up to 16
  • Number of included audio effect plugins up to 64
  • Max samplerate up to 384 kHz
  • OMF, AAF, MXF import/export
  • Full Fraunhofer MP3 encoding
  • Nuendo project import
  • 5.1 surround
System Requirements 
Windows 7 | 8 | 8.1 | 10 [64-bit]
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MusicLab - RealStrat v5.0.0.7420 (Dec 2018)

The Fender Stratocaster(R) is and has always been the most popular electric guitar since its creation in 1954. Its unique sound is the favorite of many of the world’s finest guitarists and has been featured on countless historic recordings in all genres of music.

RealStrat sample-based virtual instrument faithfully reproduces the Stratocaster(R) sound from both the sonic and playability perspectives. Our advanced technology gives its users the freedom to create everything from simple strumming techniques to the most sophisticated solos.

Two instrument Combo Pack
  • RealStrat Standard – our original RealStrat model with loads of new playability features, fully backwards compatible to RealStrat previous version.
  • RealStrat Elite – features the debut of our new sample set recorded from each of 3 Stratocaster pickups, having four patches and two tuning selections for each.
New RealStrat Elite guitar sample set
  • High quality 24-bit samples, recorded directly from Neck, Middle, and Bridge pickups individually.
  • 7 realtime pickup selections giving you exciting tonal options.
  • Double Track guitar patch.
  • 6-string, 12-string guitars.
  • Standard and Baritone tunings for all patches.
  • Stop Slap sound effect added.
  • Pinch Harmonics now produce 2-octave up initial pitches.
New Multi Performance mode
  • Combining various guitar techniques (strumming, soloing, string picking, etc.) in a single performance layout.
  • 25 new Key Switch FX in chordal modes.
  • Velocity controllable number of strings in strummed chords.
  • Live control of solo and strum techniques.
  • Live control of chord inversions/positions.
  • Free voices leading in strummed chords.
  • Hammer-Ons and Pull-Offs in chords.
  • Slider (Bottleneck) guitar technique emulation.
  • Numerous performance options, effects, and their combinations.
New Usability Features
  • Advanced Velocity Curve control.
  • Internal Loop in Song mode.
  • Use of DAW MIDI track to edit and play Pattern track of Song mode.
  • Streamlined user interface for RealStrat Elite.
  • Option to switch between black&white and color guitar background.
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Waves Complete 2018.12.05 (Dec 2018)

Waves Audio has announced the release of Sibilance, Flow Motion FM Synth and Inspire Virtual Instruments Collection.

Sibilance, powered by Waves’ Organic ReSynthesis technology, is a transparent vocal de-esser that removes harsh vocal “s” sounds fast and at high quality – allowing you to make your vocals sound brighter without harshness. Thanks to its Organic ReSynthesis engine, Sibilance allows precise identification of unwanted sibilant sounds such as “s” and “sh,” resulting in smooth, glitch-free, effective de-essing that maintains the timbre, duration and natural resonance of the original vocal sound.

Unlike most de-essers, which act like narrow-band compressors, the Waves Sibilance plugin uses Organic ReSynthesis spectral filters to identify undesirable bursts of sibilant energy, then completely separates the nuances of sibilance from the vocal signal, leaving the rest of the signal untouched.

Once applied, Sibilance’s unique method of separating sibilant parts from the raw vocal signal allows for what would otherwise be extreme processing on the vocal track, such as aggressive EQing to drastically brighten a vocal.

With simple yet powerful controls, Sibilance takes only seconds to set up: Insert it on a vocal or voiceover track, and simply set the threshold and range controls to dial in the perfect amount of “s” reduction.

Waves Sibilance features:
  • Fast, powerful de-esser specifically designed for vocals and voiceovers.
  • Smooth, glitch-free removal of harsh “s” sounds.
  • Treats sibilant parts of the signal without affecting the color of the vocal track.
  • Easy-to-use threshold and sensitivity controls.
  • Sibilance detector powered by Waves’ Organic ReSynthesis technology.
  • Sibilance detection graph to help you visualize the amount of “s” reduction.
Flow Motion FM Synth is a virtual instrument that combines the best elements of FM (frequency modulation) and analog-style subtractive synthesis in one powerful instrument.

Design deep basses, screaming leads, rich pads and growling FX with this hybrid FM synth, featuring a 16-step snapshot sequencer, rich presets, and an intuitive graphic interface that makes FM synthesis playful and easy.

The Flow screen eases your way into FM synthesis, with a uniquely designed graphic FM modulation matrix that connects four powerful mono/polyphonic oscillators with independent waveform and pan controls. You can easily modify assignments between the oscillators, using four independent floating LFO/envelope modulators with intuitive drag-and-drop manipulation.

The Motion screen lets you further control filters, amplitude, EQ and FX in a “traditional” subtractive way, for added power and flexibility.

The 16-step snapshot sequencer enables you to easily capture 16 different states of the synth and switch between them in real time. With 16 recallable snapshots per patch, you can quickly create sequences on the fly and in the flow.

Flow Motion FM Synth features:
  • Hybrid FM synth combining FM and subtractive synthesis.
  • Graphic FM modulation matrix with instant visual feedback.
  • 1000+ strong preset library, including exclusive artist presets.
  • 4 high-resolution oscillators.
  • 4 flexible LFOs and envelope modulators.
  • 16-step snapshot sequencer: sequence up to 16 recallable snapshots per patch.
  • Built-in note sequencer/arpeggiator.
  • Studio-quality FX.
  • Use as standalone instrument or plugin, in the studio or live.
Flux WPAPI Shell : v1.2.4.46771
Flux WPAPI Plugin : v3.5.29.46771
Sonible smartEQ live WPAPI : v1.0.1

* No Waves Central installation.
Official installer apparently have issues for some installations.

* Simplified R2R installer.

* Including all Waves products except Tracks Live.

* Integrated all Flux & Sonible WPAPI plugins.
Available from StudioRack, MultiRack and SoundGrid.

* Instrument Libraryies are not included.
Check our other releases.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Logic Pro X 10.4.3 (Dec 2018)

Logic Pro X is the most advanced version of Logic ever. Sophisticated tools for professional songwriting, editing, and mixing are built around a modern interface that’s designed to get creative results quickly and also deliver more power whenever it’s needed. mac-torrent-download.net Logic Pro X includes a massive collection of instruments, effects, and loops, providing a complete toolkit to create amazing-sounding music.

Powerful Interface
Consolidate and control multiple tracks or create rich, layered instruments with Track Stacks
Smart Controls allow you to manipulate multiple plugins and parameters with a single move
Support for the Touch Bar on MacBook Pro provides convenient controls for creating, editing and navigating your songs
Autosave keeps your work safe and sound

Professional Music Production
  • Record and edit MIDI or audio using a comprehensive set of editors and tools
  • Keep takes organized with take folders and build comps quickly with Quick Swipe Comping
  • Track Alternatives let you create and switch between different playlists of regions and edits on a track
  • Render any combination of effect plugins to a selection of audio using Selectionbased Processing
  • Fix outoftune vocals and change the melodies of recorded audio with Flex Pitch
  • Manipulate the timing and tempo of any recording with ease using Flex Time
  • Comprehensive mix and plugin parameter automation can be part of a region or track
  • Create and mix music from anywhere in the room using Logic Remote on iPad or iPhone
  • Produce simple lead sheets or orchestral scores with builtin Score editor
Drum Production
  • Create authentic acoustic, electronic, or hip hop drum tracks using Drummer, a virtual session player and beat producer
  • Choose among 28 distinct drummers that can take your direction and perform millions of unique grooves
  • Build your own acoustic drum kits with Drum Kit Designer using a collection of deeply sampled drums
  • Customize the sound of your electronic beats using Drum Machine Designer
Keyboards and Synths
  • Get inspired by collection of synths that provide analog, wavetable, FM, additive, granular, spectral, and modeling synthesis
  • Quickly find sounds or create unique new ones with Alchemy, the ultimate sample manipulation synthesizer
  • Play or create a wide variety of rich sampled instruments with the EXS24 Sampler
  • Instantly turn a simple chord into a rich performance with the Arpeggiator
  • Transform simple ideas into elaborate performances using nine MIDI plugins
  • Play faithful models of classic organs, keyboards, and vintage synths

Guitar and Bass Gear
  • Build your own guitar or bass rig with Amp Designer using vintage and modern amps, cabinets, and mics
  • Design a custom Pedalboard from a collection of delay, distortion, and modulation stompboxes
  • Access the Tuner with just a click to quickly get in tune
  • Creative and Production Effects
  • Play your sounds through realistic acoustic spaces using Space Designer convolution reverb
  • Use a range of multitap, vintage tape, and stereo delays
  • Add movement to your tracks with a variety of modulation effects
Sound Library
  • Over 2800 instrument and effect Patches
  • 1000 meticulously sampled instruments
  • More than 7000 Apple Loops in wide range of genres
Compatibility
  • Expand your instrument and effects library with thirdparty Audio Unitscompatible plugins
  • Share to GarageBand option allows you to remotely add new tracks to your Logic project from your iPhone or iPad via iCloud
  • Import and export XML to support Final Cut Pro X workflows
  • Export and share your songs directly to SoundCloud
  • Open projects from Logic 5 or later
Minimum System Requirements
  • 4GB RAM
  • Display with 1280by768 resolution or higher
  • OS X v10.12 or later
  • Requires 64bit Audio Units plugins
  • 6GB available disk space for minimum install / 63GB hard disk space for full Sound Library installation
System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Crave DSP - Crave EQ 1.3.4 (Dec 2018)

Crave EQ was built with one purpose: uncompromising sound quality. To that end, we have created 3 highly accurate EQ models based on an ideal analog equalizer. Each model is aimed at delivering the best possible sound for a specific task.

For pure analog sound, the analog phase mode is a reproduction of clean analog hardware – an essential feature for professional quality mixing. This kind of modelling requires a small amount of latency which we’ve managed to keep astonishingly low at just 48 samples – 1.1ms at 44kHz or 0.5ms at 96kHz.

When zero latency is a must, the digital phase mode offers a true analog EQ curve with digital phase. Digital EQs based on FIR filters often struggle with bass resolution and digital EQs based on IIR filters often have poor high frequency response. Our filtering technology ensures accuracy across the whole frequency spectrum with very little CPU usage.

For scenarios that call for linear phase, the linear phase mode offers the same true analog EQ curve as the other modes with zero phase. As you may know, higher quality linear phase processing requires higher latency. To ensure you’re always getting the highest quality, the appropriate latency is selected based on the sample rate of the host.

3 Equalizers in 1: Digital, Analog, and Linear Phase EQ
Crave EQ provides three EQ processing modes: analog, digital and linear phase. All modes offer stunningly accurate filters.

Analog Phase
Accurate analog emulation with only 48 samples of latency – 1.1ms at 44100Hz.

Digital Phase
Detailed bass resolution and undistorted high frequency response with zero latency.

Linear Phase
Mastering grade linear phase processing.

What’s New in Version 1.3
Transparent Phase Model
Transparent phase combines the best of both the analog and digital worlds. At lower filter frequencies it employs an analog phase model and at higher filter frequencies uses an innovative phase suppression algorithm to deliver precision at low frequencies and transparency at high frequencies.

The diagram below shows the four phase models in Crave EQ (analog, digital, transparent and linear) for a peaking filter at 5kHz. In this example, the transparent phase model is set to a lookahead/crossover of 5ms/800Hz.

Improved Metering
Decibel meter scalable from -90dB/+30dB to -12dB/+12dB. Input levels added alongside output levels.

Peak Hold
Above the decibel meter is a new peak hold indicator (click to reset).

Adjustable Linear Phase Latency
Linear phase latency is now adjustable.

Key Features
  • Four beautifully smooth, lovingly crafted EQ models for mixing and mastering
  • 16 parametric bands with a choice of peaking, high/low shelf, high/low cut, notch and band pass filters
  • M/S, L/R and mono channel processing
  • Solo listen (double-click a band to activate)
  • Configurable high-resolution spectrum analyzer
  • Fluidly scalable frequency, filter and meter axes
  • Resizable interface
  • macOS Retina and Windows high-DPI support
  • Velocity sensitive knobs
  • Automatic gain compensation
  • GPU accelerated graphics
  • Light on CPU
System Requirement

Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Klevgrand FX bundle (Dec 2018)

Klevgrand FX bundle 2018.12 Overview
Included:
Brusfri v1.1.2
DAWCassette v1.0.0
DAWLP v1.0.2
Degrader v1.0.0
Esspresso v1.0.1
Gaffel v1.0.1
GotoEQ v1.0.1
GrandFinale v1.0.2
Haaze v1.0.0
Kleverb v1.0.0
Korvpressor v1.0.0
Kuvert v1.0.1
PressIt v1.0.1
R0Verb v1.0.0
REAMP v1.0.1
SquashIt v1.0.0
Vandelay v1.0.0
 
System Requirement
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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Klevgrand FX bundle 12.2018 WIN
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Spectrasonics - Omnisphere Patch Library Update 2.5.2d (Nov 2018)

Omnisphere is the flagship synthesizer of Spectrasonics® – an instrument of extraordinary power and versatility. This award-winning plugin brings many different types of synthesis together into one amazing-sounding instrument that will inspire a lifetime of exploration.
 
System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra  | High Sierra
Windows 7 | 8 | 8.1 | 10 [64-bit]

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Overloud Gem Comp670 v1.0.1 (Nov 2018)

Comp670 is the Overloud recreation of a very rare legendary tube compressor. It has a unique and distinctive tone thanks to large amount of transformers in the signal chain which gives it a very warm tone.

Features of Overloud Gem Comp670 v1.0.1
* Hyper-realistic simulation of the original unit thanks to the 4th generation dsp technology
* Three different units recreated, with multiple dynamics and coloration
* Built-in Parallel Compression
* Soft-knee / hard-knee control with the additional DC Threshold parameter
* Built-in filters on the Sidechain
* Meter Calibration: calibrate the VU meters at 4 different sensibilities
* Multilevel undo-redo
* A/B Comparison
* Lots of presets designed in real mixing sessions
* Scribble Strips: take notes anywhere on the plugin panel
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Sonible smartEQ2 v1.0.1 (Nov 2018)

The intelligent equalizer plug-in
smart:EQ 2 enhances detail, clarity and transparency of your mixes after only a few tweaks. Experience a mixing workflow faster than ever before.

Groundbreaking A.I. technology for transparent mixes

smart:EQ 2 analyzes your audio material and generates a custom filter curve to create a natural sounding tonal balance. Add clarity to your mixes, more punch to single tracks or carve out the harsh parts of your vocal recordings – in seconds and with unprecedented precision.

System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]

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FabFilter - Total Bundle (Nov 2018)

FabFilter has released the Pro-Q 3 equalizer plug-in that introduces dynamic EQ, surround support, per-band mid/side processing, new brickwall and flat tilt filters, external spectrum visualization with collision detection and more, while staying true to Pro-Q’s pristine sound quality and exceptional ease of use.

* FabFilter Micro – v1.18
* FabFilter One 3 – v3.28
* FabFilter Pro-C 2 – v2.06
* FabFilter Pro-DS – v1.10
* FabFilter Pro-G – v1.20
* FabFilter Pro-L 2 – v2.01
* FabFilter Pro-MB – v1.17
* FabFilter Pro-Q 3 – v3.01 (No RTAS)
* FabFilter Pro-R – v1.04
* FabFilter Saturn – v1.18
* FabFilter Simplon – v1.28
* FabFilter Timeless 2 – v2.28
* FabFilter Twin 2 – v2.28
* FabFilter Volcano – v2.28
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Steinberg - Cubase Artist 9.5.41

Features of Steinberg Cubase Artist v9.5.41
• Working crack for 64-bit Cubase Artist v9.5.41 MacOSX. Follow Installation.pdf and .rtf for installation steps.

• Extra features are unlimited track count, means there is no limit for example how many audio tracks there can be. It is based on old Cubase Elements 7.0.7 unlimited track patch someone made, so to get more tracks just duplicate tracks when at track limit instead of adding tracks to pass limit. At extreme track counts some times need to use project loading workaround to get project loaded.

• Fixed from previous 9.5.40 version: “Mono audio only” problem in some computers, “white noise” problems, “sends not working” bug and some other bugs mentioned in earlier version are fixed. On the other hand there is one new bug, which is that sometimes Cubase can crash in some heavy operations like when duplicating 256 tracks to get 512 tracks.

• If there are Cubase Elements 8 trial license problems running Steinberg elc-helper eLC Installation Helper for Mac OS X 10.8 or later solves them. It always removes all licenses from soft-elicenser and creates new soft-licenser with new serial number, so after this Elements 8 trial can be installed again.

• In OSX 10.11 there is no window when launching Cubase, so needs to wait initialization, which is long at first launch.
System Requirements
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Thanatan - Amazynth 1.0 (Nov 2018)

Thenatan And Global Audio Tools are bringing music makers across the globe a jam packed tool we like to call “Amazynth”.
Inspired by some music legends such as Johnny Juliano,

Cardo Got Wings, Zaytoven Beats and many more producers that have shaped todays urban music scene.
With sounds ranging from banging 808 and heavy bass, plucks, pads, keys,
synths, choirs, woodwinds and more this VST is one for every urban producer to add to their plugin arsenal.
Be sure to check out the demonstration video so you can
hear Amazynth in action.

Product Details:
20 808’S
19 Ambient Sounds
16 Bass
23 Bells
5 Choirs
20 Keys
13 Misc
11 Organs
19 Pads
13 Plucks
11 Reversed
20 Strings
20 Synth Leads
10 Textures
10 Woodwinds
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [64-bit]

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IK Multimedia - AmpliTube 4 Complete 4.8.0 (Nov 2018)

Get ready to have your mind (and ears) blown. AmpliTube 4, a major upgrade to the world’s most powerful guitar and bass tone studio for Mac/PC, is here and will take you to a level of hyper-realism and customization of tone you never knew possible.

AmpliTube 4 is a guitar and bass tone studio for Mac/PC that works as a standalone application and as a plug-in for your favorite DAW. AmpliTube recreates the entire guitar/bass signal chain from instrument to recording device, and does so in a very realistic and intuitive way. But it also does it in ways you never dreamed possible. If you’re new to using computers to get fabulous guitar tone, then you’re in for a treat. If you’re a veteran computer tone-master, well, you’re still in for a treat. AmpliTube pioneered — and leads the way in — guitar amp and effects modeling, and AmpliTube 4 takes it to the outer edges of extreme hyper realism with intuitive familiar tools.
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Halflight Sampling - Bundle Collection (KONTAKT)

This massive collection contains 18 individual sound design libraries from Halflight Sampling.

With an underlying tone of dread and otherworldly noises this collection is packed with useful sounds for creative projects, horror and sci-fi scoring or for adding an undertone to your music.

Most packs are powered by the Photosynthesis Engine and with over 13GB of unlocked WAV files this is a real no brainer.

PACK 1 – DEATH BY DESIGN
Featuring 12 insane Kontakt instrument patches. Utilizing hundreds of samples from experimenting with modular synthesis and effects, this is a truly unique library set that will drive some people mad with inspiration, and others mad with irritation.

Meant to be gritty, dirty, and organic. Not for the faint of heart. 1.14 Gigabytes uncompressed. All samples are included as well (in their respective Kontakt sample folders).

PACK 2 – DEATH RATTLE
Dark, low, menacing braam like sounds. inspired by both Hans Zimmer and Igor Stravinsky. Containing 65.1 MB of WAV samples, uncompressed. The Kontakt instruments are organized into 4 separate folders, according to the general feel and type of sound (Atonal, Dark, Distorted, and Misc).

Layered synthesis was also used (a combination of Chromaphone 2 and Cybermath beta).

PACK 3 – DEEP CONJURING
Like something conjured up from a distant, forgotten dream, the patches included have the power to stir within us emotions and feelings deeply hidden and inexplicable. The samples used are strange, unique and imperfect.

In total there are 66 instrument presets, which are derived from a set of 655 samples. All samples are royalty free.

For the kontakt patches, I used the Photosynthesis Engine by Jeremiah Pena.

Please note: The Full Version of Kontakt 5.6.8 is required to use the patches without limitation (the same applies to this entire collection). However, the uncompressed wav files are accessible, so you do not need full Kontakt to use the samples themselves. All of the samples total 996MB uncompressed.

PACK 4 – EXPERIMENTAL PERCUSSION BEDS
This is a truly unique collection of percussion loops, mapped to Kontakt. They were created using a complex FX chain, with the basis of most of the sounds being sculpted from NI’s Reaktor modular synthesis engine (not the extra instruments, however).

Just going through the different Bed instruments will take you on a journey, perhaps causing you to recollect music from Radiohead (the more experimental side), early Genesis (The Lamb Lies Down on Broadway) and even Porcupine Tree. The samples are also included (in the Kontakt sample folders) so you can drag and drop them in your DAW or import them.

The extra instruments included were very experimental and are not synced. They are not percussive and tend to be more cinematic and ambient.

Each loop is synced to 120BPM. However, many of them are syncopated, so may seem out of tempo naturally. The idea for the instrument originally came from the soundtrack to The Shining –that reoccurring pitch oscillation that stirs uneasiness in your gut. However, it the project has morphed into something completely different, and instead of being a cinematic library with sounds inspired by that reoccurring theme, I went in the direction of experimental percussion instead. These percussion loops are meant to be an underpinning, not necessarily at the forefront of a piece. They were meant to add brush strokes to a piece.

PACK 5 – GUITAR ELEMENTS
A large collection of unique and useful guitar patches. Including 40 Kontakt patches and hundreds of samples. Inspired by jazz, funk, prog rock and more. I even found a way to get two of my favorite movies in there (Vertigo and Taxi Driver). Their folders are “Vertigo Climb” and “Taxi Driving Music” respectively: they include strange, jazz like chord drones based on unusual chords and inversions.

The song starter patches are useful for helping write music. There are at least 13 of the most common chords used for songwriting. Many of the patches automatically loop if you hold the key, but not all.

Many of the patches are raw guitar, with no added effects (or very little) so that you can add your own virtual amp rigs per your desire. Last of all, Enjoy!

PACK 6 – IMPROMTU PIANO LOOPS
This collection is a window into my creative process, and I am providing them royalty free. I performed several loops, all of which were thought up on the spot. The final take was on either the 1st, 2nd or 3rd try, generally. I wanted to capture a spontaneous and unique quality. So the ideas themselves were all impromptu. This is generally how I write anyway. I did not use quantasizing and did not draw the midi notes to create these performances.

There are 17 instrument presets based on 9 Multi sampled piano and music box phrases (189 samples). I sampled the phrases across at least 12 halftones, and mapped them to Kontakt. Therefore, you can play the loops in various keys.

There is also a folder of non instrument related samples. These are either additional piano loops, or heavily processed samples based on those loops. The processed loops will have a word in parenthesis giving a sort of nickname to the sound (I guess the feeling or idea that encapsulates the sound in my mind). There are a total of 97 of these additional, non Kontakt Instrument related samples. They are generally more syncopated (especially the processed samples) and range from dance like synth sounds, to crazy, bizarre machine like sounds.

PACK 7 – JANKY DRINK MUG
It may have started out as a joke, but some of the sounds coming out of this thing are strange and otherworldly to say the least. The “flutter harmonics” sound in itself was a pleasure to discover. There is absolutely no instrument on earth which sounds quite like this thing. Though that may be because there is nobody else strange enough or crazy enough to sit down an construct something out of an old plastic container –complete with a makeshift tuning peg and natural acoustic body.

PACK 8 – PARADOX LOST
A culmination of 10 years of experimentation and exploration. Using live recordings and layered synthesis, this is a truly unique set of Kontakt patches . Perfect for cinema, drone, trance and more. There are many patches especially useful in horror and science fiction. You will not hear samples like these anywhere.

Please keep in my that originality and uniqueness were the main goals. Many of the samples were derived from old recordings which had to be restored using restoration plugins. There is a certain, unmatched character about it. There are 47 total patches, with 47 total samples. Samples vary from 0:03 to 2:13 in length. Each sample was mapped to Kontakt using Jeremiah Pena’s brilliant Photosynthesis Engine. The samples were not simply dropped in, but tuned to map the appropriate notes in the traditional western, equally tempered tuning. Therefore, if you play a “C” note on the keyboard, the overall pitch characteristics of the Kontankt instrument will be a “C”. This will make it easier for you to incorporate the sounds into your own compositions! However, due to the underlying nature of some of the samples (evolving textures, harmonic movement and layering), achieving this to perfection on all samples was quite difficult or impossible.

PACK 9 – QUANTUM DEATH TOY
A single toy was sampled on ultra low batteries. The result is creepy and unnerving. In quantum physics there is an idea that certain phenomena can create different results in each instance of change, and never repeat itself (for example, the static on an old television set). With very low batteries, the potential for unexpected things to happen increases.

PACK 10 – THE APOCALYPSE FROM A TO Z
A collection of 30 strange, dark and post apocalyptic drones, hums and pads. Perfect if you need a unique and gritty edge in your productions. Feel free to tweak the presets to you hearts content. I used Jeremiah Pena’s Photosynthesis engine to create the presets, based around 26 custom created samples (30 seconds each). There are 26 main instruments (presets) and 4 extra.

PACK 11 – THE FORESHADOWING
There is a great deal of variety in this collection. From ethereal, dreamy and post modern Explosions in The Sky and Sigur Ros inspired guitars, to an oriental-like ukulele pluck instrument, all the way to a cinematic, fierce, bowed electric bass guitar. There are 224 samples, coming in at about 1.4GB of samples uncompressed.

All of the instruments were derived from these samples, and they feature no soft-synths or computer generated sounds – all from authentic, real sound sources. There are a total of 27 Kontakt Instrument Patches, and 9 Multis. There are numerous samples in the Bowed Sample Folder which were not used for the Kontakt patches, but which are perfect for sound design elements, cinematic productions and so on.

PACK 12 – THE HOLE IN THE WALL
A wall vent was sampled with a condenser mic and a violin bow. Using a variety of techniques, a unique set of textures were created.

PACK 13 – THE LOST PLAYGROUND
This is perfect for horror productions and more. A creepy, spooky collection of Kontakt instruments, including the haunting laughs and cries of children, and their lost toy instruments. Some instruments were warped beyond recognition, including the spinning wheels of a car made to sound like some kind of Dub Step instrument.

The instrument “Pad of Tears” was derived from the cries of a child.

The glockenspiel and toy percussion are the only instruments which remain pure and natural. The guitar was played with a knife, and the singing bowl (Carving a Bowl) was played by sharpening a knife on it.

PACK 14 – TWICE BAKED
A collection of unique and bizarre drone, pulse, soundscape, and effect samples. Their moods range from nostalgic, dark, intense, to strange and moody.

This is mainly a sample pack, but almost all of the samples were mapped to kontakt patches, for either an instrument-like patch (like in the case of “Streamers (pad)”) or just the samples placed for easy key triggering (like in the case of “Textures, Pulses and Effects, Oh My!”).

PACK 15 – LOVELY MITTY
The perfect toy for the collector of all things rare. Right out of the box, this thing is an enigma. There is no on/off switch; you can only press the white keys (however, it’s tuned so awfully that you end up playing what would be black keys); there is no velocity sensitivity (and it’s so loud!!!). All I know is that it was made in Taiwan. I cannot find any other information about this thing, anywhere! I’m not even sure if it’s really called “Lovely Mitty,” but that’s the sticker with which it came (at the consignment shop).

There was a lot of work involved in getting the tuning as close as possible to any semblance of proper tuning. Once tuned, it actually does seem to have a warm tone, suitable for chip tune style music, but others as well. With the staccato presets, I used some tricks with the microphones to create a sense of velocity layers, and created 4 total velocity layers. I still included the original tuning (“natural tuning”) for your fun and pleasure. There were also some effects created by only pressing the notes slightly (right at the threshold of making a noise).

PACK 16 – NUCLEAR WINTER
Imagine a dark, destitute world, days after several nuclear blasts lay waste to the majority of the planet. This is the vision of the new sample library. No, it’s not pretty, nor is something we ever want to see in reality. However, we can live it through sound.

The sounds derive from a variety of sound sources – from various types of digital synths (including Factory by Sugar Bytes and Loom by Air Music Technology) as well as acoustic sound sources (bowed instruments, pianos and more). Various noise effects were also used to process the samples (including vinyl and tape effects). Most patches have 3 velocity layers.

PACK 17 – OUT OF NIGHTMARES
The majority of these sounds were created from playing around with a soon to be released Divergent Audio Group instrument. However, 6 of the sounds were taken from the 800+ sample pool which will be included in the full release. With the exception of those 6 samples, these samples will not be available anywhere else. They range from nightmarish, strange, dark, to nostalgic and peaceful. All samples are 60 seconds in length, with most of them featuring a constantly evolving character.

I built 33 Kontakt patches based on the samples, with an additional 25 which are Round Robin versions of the 25 samples not included in the future release. Since they are 60 seconds in length, I created a loop point at unique 20 second segments for each sample. Therefore, every note for the RR version patch will have essentially 3 Round Robins (not multi sampled, however). This will at least give the ability to have more nuance in the sound.

For the 6 samples taken from the future release I created 4 unique start points and loops (15 second segments). This essentially creates 4 Round Robins which again, allows for more nuance from the instrument. The WAV files are also included so that you can use them in other samplers or drop them into your DAW.

PACK 18 – BOWED SINGING BOWL
This is an experimental library wherein a violin bow is bowed on a Tibetan Singing Bowl in G. In some cases there were novel techniques employed which were able to create unique sounds, probably never heard before. This was not a planned library. I was experimenting with bowing what ever I had around the house, and thought this may be interesting. The result is breathtaking and at times mesmerizing.

Some instruments are deep and emotional, while others are strange and atonal. It is ideal for cinematic work, especially science fiction, psychological thrillers, emotional dramas, and I’m sure more (maybe horror?). I am planning to buy Tibetan Singing bowls in every key available, and do an extensive set of recording sessions with bowing and other techniques. I hope you will look forward to that!
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Sound Aesthetics Sampling Talua v1.0 (KONTAKT)

This library contains beautiful and imperfect Glass and Bell sound along with textures to colorize your tracks. It also includes a variety of presets (49 Patches and 18 Multis) where we really mangled the sounds and took advantage of the engine. Just take a listen to the audio demos below or watch the playthrough at the bottom of the page. All demos are only using sounds from this library and they were only mixed a little so that You won’t be fooled by perfectly mixed and mastered tracks.

The library is built within a dual layer engine so You can easily mix two sounds together and adjust settings for each one individually. The interface gives you full ADSR control and has a master section where you can set Stereo width, Filter (LP) cutoff, Output gain and Panorama position. There are also octave and sample offset controls; available for each layer individually as well.

It carries 4 LFOs (two per layer), all time independent from each other.

And You can route each LFO to Volume, Pan and Cutoff at the same time by just moving the red intensity knobs of the respective Modulator.

The following features are available for each LFO:
– Waveform (Select from Sine, Triangle, Saw and Rectangle)
– Sync value (Set the Sync Rate of the LFO)
– Multiplier (Multiplies the Sync Rate by this value)
– PW (Determine the Pulsewidth of the Wave; Only applies to Rectangle Wave)
– Vol, Pan, Cut (Set how much the LFO should modulate the three parameters)

The Fx rack includes an EQ (one for each of the two layers; EQ1 and EQ2), which is meant to roughly edit the sound. It also carries a LowPass Filter (LP1) which can be linked to velocity in order to dampen higher frequencies on lower dynamics.

In the Middle You have three tabs to further shape the sounds:
– Color: Master EQ with a limited range (only 3dB) and Tape Saturation emulation
– Mod: A simple Flanger and a Chorus to thicken the sound or create crazy modulated sounds
– Space: A synced Delay along with a Convolution Reverb (comes with 8 custom Impulse Responses designed for this library)
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Audio Damage - AD048 PhaseThree v3.0.0 (Nov 2018)

PhaseThree is a detailed model of the MuTron Bi-Phase, with all the lovely sound of that unit (along with its foibles and quirks.) It is worth noting that, due to aging factors, no two Bi-Phase hardware units sound alike; we found the best and most tuneful one we could lay our hands on, bought it for a faintly ridiculous price, and took it apart to see what made it tick. Like you do.

The result is a painstaking digital copy of the original unit, down to the unique sweep of its LFOs. With the latest version, we have departed from the original and added 12-stage phasors in addition to the six-stage versions found in the hardware units. (We feel that 12-stage phasors have a more modern sound that people expect in a current phasor, and that the six-stage versions in the original were somewhat lacking to the modern palette.) 

Features of Audio Damage AD048 PhaseThree 3
» Perfect model of the original Bi-Phase, down to the response of the vactrols.
» The unobtanium Bi-Phase expression pedal is modeled as a separate parameter, for control by your favorite modulation source.
» 12-stage phasor option for each channel, in addition to the original 6-stage phasors.
» XML-based cross-platform preset manager, with copy and paste. (You can even move presets between the iOS version and the desktop version with Handoff.)
» Entirely vector-based resizable high-resolution user interface
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Sonic Academy - KICK 2 Presets Vol 6 Future House (Nov 2018)

An essential tool for producing Future House, Tech House and Deep House, Sonic Academy is proud to present ‘Kick Presets Volume 6 – Future House’. 50 Slammin Kick drum presets and 50 carefully crafted custom clicks, to get your production rock solid everytime.

Inside this pack, you’ll get access to 50 Kick 2 presets, shaped to perfection and expertly designed, along with 50 accompanying kick click samples. Mix and match the presets to different click samples for even more choice and expand your library.

NB – REQUIRES KICK 2 PLUGIN – Not compatible with KICK 1
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Ecliptiq Audio - DAWN (KONTAKT)

Dawn is the second installment of Ecliptiq Audio’s series featuring Qadra, a cutting-edge and versatile Kontakt engine capable of layering, morphing, blending and shaping any types of sounds with each other. Dawn is specialized in plucks, keys and synth one-shots.
FEATURES 
• Dawn lets you layer up to 4 of the 80 multisampled sound sources and shape them to your taste.

• Morph between the layers seamlessly with the automatable xy pad.

• Dawn is equipped with 4 independent LFOs and envelopes. You can assign them to any of the 7 modulatable parameters each layer has.

• Dawn’s turbocharged arpeggiator section gives you the ability to create elaborate sequences within seconds.

• Dawn comes with flexible randomization functions to get over the creative block. You can randomize each part separately alongside with the sound sources and the sequencers.

• Dawn has a built-in preset manager to quickly access the factory and the user presets. Besides the 160 factory presets, you can save up to 240 of your own patches.

Product Specifications 
• Format: Native Instruments Kontakt
• 80 Multi-Sampled Plucks, Keys And Synths
• Built-In Preset Menu With 160 Presets
• LFO, Envelope And XY Pad Modulation
• Randomization Possibilities
• Powerful Layering Engine
• 24-Bit/44.1KHz WAV Samples
• PC & Mac Compatible
• 4.9GB Content
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
Native Instruments Kontakt v5.7.3+ or higher.

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Sonixinema London Boyd 1920s Upright (KONTAKT)

Introducing London Boyd: 1920’s Upright, a new upright piano library from Sonixinema. This charming piano adorned the halls of some of London’s finest establishments for the best part of a century. It’s characterful and intimate timbre resonates with the history that precedes it, which is what inspired us to capture the sound in this one of a kind virtual instrument. With a wonderfully rich and earthy tone, each note contains unparalled expression which is perfect for creating a sophisticated and emotional sound within a few key strokes. 

4.5 GB of space required, 2.5 GB compressed
3 microphone positions
16 unique presets
User friendly interface & onboard effects

As a new addition to our popular Mini Tools range, London Boyd provides an incredible sound at a fraction of the cost. We truly believe that an instrument with this much history and musicality should be available to anyone, anywhere. 

To get you started, we have created 16 presets which range from warm and intimate, to broken and quirky. These have been designed to provide instant inspiration and allow you to spend your time creating great music. In addition to this, we have provided a selection of effects such as delay, reverb, distortion and other sound shaping parametres to allow maximum control over the sound you want to create. 

Recorded in an intimate live room in the heart of the English countryside, we focused on capturing London Boyd’s naturally resonant character. Using high quality microphones such as AKG C414’s and DPA 4060’s, we wanted to record not only the piano’s tonal qualities but also it’s mechanical qualities. To achieve this, we placed the DPA 4060 microphones extremely close to the hammers and keys in order to recreate the feeling of sitting infront of a piano and hearing the delicate textures that truly bring it to life.


System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
This library only works with the FULL version of Kontakt 5.5.2 +

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TH Studio Production - TRAILER PULSE CLOCK (KONTAKT)

TH Studio Production present the new SFX Library “TRAILER PULSE CLOCK“. Recorded 10 Different types clocks. Great sample library for your new horror trailer music tracks. 7 x Kontakt Instruments. 6 x instruments are loops modelling and clean clocks. 1 x instrument one-shot sample.

In the Demo are used Hits, Booms and Rise from the Libraries Trailer Elements 1,2 and Trailer Booms. Only PULSE CLOCKS are in the library ! ……:::::: Product Specifications ::::::……
• Format: Native Instruments Kontakt
• Clocks Instruments
• Clock Pulse Clean
• Clock Pulse FX 1
• Clock Pulse FX 2
• Clock Pulse FX 3
• Clock Pulse Reverb
• Clock Pulse Triola
• 48.1kHz/24-Bit High Quality


System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra
Native Instruments Kontakt v5.6.6+ Or Higher.

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TDR Limiter 6 GE v1.1.0 (Nov 2018)

TDR Limiter 6 GE is a modern dynamics compression and limiting toolkit featuring six specialized modules that can be arranged in variable order. Together, they cover a remarkable range of applications from delicate loudness control, to brutal “brick-walling” and creative mix bus crunching.

Features of TDR Limiter 6 GE v1.1.0
  • Modules
  • Dynamics Compressor
  • Clipper
  • High Frequency Limiter
  • Peak Limiter
  • Output Protection Limiter
  • True Peak and EBU Loudness Meter
Each module offers dedicated control over different types of events, from macro to micro, and allows you to determine the signal path. Combined wisely they can greatly increase the perceived loudness of a mix while preserving superior musical fidelity, punch, and excitement.

With its appealing visual aesthetic, the advanced true peak and EBU R128 compliant loudness metering section gives a detailed insight into the signal’s dynamics. The equal loudness bypass will also make sure the operators’ aural perception isn’t tricked from any loudness differences.

A collection of sensible starting points allows for quick, yet precise loudness maximization. If needed, a wide range of options offer endless creative possibilities for getting that optimal setting. Going further, Limiter 6 also enables the operator to build his personal take loudness maximization, bus processing and much more.

System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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SoundMorph TimeFlux v1.0.3 (Nov 2018)

Stretch, pitch & morph your sounds to infinity! 3.6Gb of custom sounds made by Ivo Ivanov & SoundMorph!

TimeFlux: the ultimate time stretching, morphing, and spectral effects processing software. Just like time is endless, the possibilities in TimeFlux are endless as you Morph between 8 snapshots using our custom Sphere controller area. Control TimeFlux with your mouse, or as an added bonus control it with an optional Leap Motion controller and harness the powers of time in your hand! TimeFlux takes your sound to a whole new level of control and sonic manipulation.

You can load up to 4 sounds and 4 VSTs in TimeFlux, record your performance, and export it as a .WAV file or record straight into your DAW.

TimeFlux also contains 3.6Gb of custom made sound design revolving around the theme of time manipulation. All sounds included were carefully crafted by SoundMorph and Ivo Ivanov of Glitchmachines. Both experimental and practical, the included sound design library complements the TimeFlux software, and is also quite usable on it’s own. Time and space will never be the same!

Features of SoundMorph TimeFlux v1.0.3
WHAT’S INSIDE
Features:
– Load up to 4 sound files
– Load up to 4 VST plugins within TimeFlux
– 8 snapshot Sphere Controller
– Optional Leap Motion controller
– 2 time stretchers
– 1 morpher
– 4 filters
– Record and Export your performance in WAV files
– 3.6Gb TimeFlux sound design soundpack included made by SoundMorph and Ivo Ivanov
– Compatible with Mac and PC (32 bit and 64 bit)
 
System Requirements
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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SoundMorph Wave Warper v1.5.0 (Nov 2018)

Quickly create cutting edge real-time controlled whooshes for your sound design or music!

Wave Warper is a revolutionary new way to create your own amazing custom whooshes, passbys, morphed sounds, and sample mayhem. It is a standalone app that combines and loops up to 6 sound file layers to create one new dynamic file using multiple real-time controllable effects and optional VST plugins.

For years sound designers and musicians alike have had to painstakingly layer sounds within DAWs and create time consuming midi controlling scenes to create whoosh, doppler, and passby effects.

Wave Warper takes advanced concepts and simplifies them into one quick, fun, and intuitive software. It is incredibly addictive to use, and produces sounds like you’ve never heard before. Be sure to check out our Making-of tutorial to get an in depth glimpse at just how cool Wave Warper is!


Features of SoundMorph Wave Warper v1.5.0
– Load up to 6 sound files
– Load up to 10 VST plugins within Wave Warper
– Real-time user controlled XY pad allows you to ‘perform’ Wave Warper
– Pitch, volume, panning, and filtering defined envelopes follow along in real-time
– Randomizes your sound library folders to quickly generate new sounds
– Sine, triangle and square LFOs
– Wind and whistle generators
– 2 compressors
– 9 filter settings that follow along in real-time
– Volume fluctuation on each file for creating dynamic sounds per layer
– Leap Motion control option. Leap Motion sold separately here
– Reverb
– Compatible with Mac and PC (32 bit and 64 bit)

System Requirements
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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SoundMorph Galactic Assistant v1.1.1 (Nov 2018)

Galactic Assistant is the first synthesizer software specifically made for creating hi-tech interface sounds. Developed for sound designers and musicians alike, it’s the perfect companion for creating a new sonic universe. Use it to design your own hi-tech interface sounds or create glitch or highlights for your musical project.
If you need even more interface sounds, Galactic Assistant is still included for free with our Users of Tomorrow soundpack, which contains over 1,800 different high-tech interface sounds, created by our sound design team using some of the most leading audio tools and software.

Features of SoundMorph Galactic Assistant v1.1.1
WHAT’S INSIDE
Features:
– One tone generator
– Two beep generators
– One FM synth module
– Save and recall presets
– Randomized parameters
– Record and export audio files within the synth while performing
– Shift click on knobs & sliders to midi learn and control them
– Compatible with Mac and PC (32 bit and 64 bit) Reaktor 5.5 or higher, Max4Live, and Standalone
 
System Requirements
Windows 7 | 8 | 8.1 | 10 [64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Hephaestus Sounds Jack’s Concert Guitar v1.10 (KONTAKT)

Jacks Concert Guitar is a sharp, accurate and highly expressive acoustic guitar for Kontakt using SenseTech technology to adapt the sound in real-time depending on your playing style.

Having a great guitarist and a wonderful instrument is sometimes not enough. What makes the difference is the ability to make the sampled instrument playable exactly like the real instrument, simulating articulations and noises all in real-time. This is acheived using the SenseTech script and very clever sampling techniques.

SENSETECH – INTELLIGENT SCRIPTING
This new instrument uses our latest scripting effort: the SenseTech. It is the last evolution of the previous Performer Intelligent Technology, able to simulate the instrument in all its nuance and every articulation just by playing, using very little system resources and an improved high-precision script that will have to manage a large number of samples in several milliseconds of time.

EASY TO USE
With SenseTech you don’t need to worry about keyswitches or different playing modes. Legato? Glides? Strumming? Don’t worry, You just have to play. SenseTech will take care of everything.

FEATURES:
+ 48KHz 24-bit Stereo
+ 6 dynamic layers
+ 8 sound modes, also switchable by key-switch
+ 1 Live! sound mode*
+ Fullness, Presence and Detail knobs, tuned to the guitar frequencies, to equalize the sound at the best
+ Detune knob to simulate the small detune from the same notes
+ “Powered by SenseTech” button, to disable all the SenseTech scripts if not appreciated
+ Pan slider to move the instrument left or right
+ Touch slider to adjust the velocity curve
+ Stage Sim slider to quickly create a room ambience
+ String slider to simulate 5 different strings set
+ Flexible Arpeggiator and Strummer extra functions
+ 11 preset to quickly call different instrument settings
+ Adjustable vibrato using Modulation or Aftertouch controllers
+ Total instrument size: 240 MB (lossless compressed samples)
+ At least, a 61-keys keyboard is suggested to play at the best

SOUND MODES:
– 1. Live!Concert (6 dynamics)
– 2. Pizzicato (1 dynamic)
– 3. Bartók Snap (3 dynamics)
– 4. Tambora (2 dynamics)
– 5. Tremolo (1 dynamic)
– 6. Harmonics (1 dynamic)
– 7. Benga Kit (1 dynamic)
– 8. FX & Clusters (from 1 to 24 dynamics)
* Live! modes use the SenseTech real-time scripts
 
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Kerfyge Audio KERFYGE DRM (KONTAKT)

KERFYGE DRM – A MODERN DRUM MACHINE
– Kerfyge is a powerful custom engine fully equipped to spark your creativity.
– 4 dynamic wash out style algos linked to a big knob
– 16 X 16 punchy drum kits covering almost every genres
– 192 drum one shots
– unique x analogue style filters
– custom repeat mode in 4 x 8 x 16 x 32

FULL CONTROL
– fast access to 16 X 16 drum kits
– responsible graphics for a faster workflow
– gain X pan X tune X Wide X Solo X Select and fx for each 12 keys
– randomizer
– smooth equalizer
– punchy compressor
– vintage tape and filters all in one tab

CUSTOM FX
– professional sound in a flexible module
– stunning analogue modelled effects
– fast access to master pan and master volume
– complete fx section including custom convolution reverb, delay, eq, glitch and more

FEATURES:
+ crystal clear samples at 48khz/24bit
+ 3 tab ui
+ 16 X 16 kits
+ 192 drum one shots
+ user friendly gui made by thenatan
+ 32 total mb of sounds
+ free lifetime updates


System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [32-bit | 64-bit]
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra

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Kerfyge Audio Trap Bells 2 (Nov 2018)

BELLS 2 is The VST The Serious Trap And Hip Hop Producers Have Been Waiting For!

Trap, Hip Hop Producers Inspired By Artist Such As Future And Gucci Mane As Well As 2 Chainz Should Seriously Check Out This VST!!!
  • Fully Functional VST
  • 46 High-Quality Bells
  • Effects & Envelopes
  • GUI Made By Thenatan
System Requirements
Windows XP | Vista | 7 | 8 | 8.1 | 10 [64-bit]

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