SynthMaster 2.8.10 KV331 Audio Bundle

SynthMaster is an 'all-around' semi-modular software synthesizer and effect plug-in that features many different synthesis methods including VA, Additive, Wavetable, Wavescanning, Phase Modulation, Frequency Modulation, Pulse Width Modulation, Ring Modulation, Amplitude Modulation, Physical Modeling and SFZ Sample Playback synthesis. With its multi-synthesis oscillators, analog modelled/digital filters, flexible effects routing with 11 types of high quality effects and a massive modulation architecture with 95 separate modulation sources and 650+ modulation targets; SynthMaster is a 'must-have' for all synthesizer enthusiasts!

SynthMaster 2.8.10 brings in another raft of impressive add-ons that existing users will be amazed they don't have to pay for.

For us, the most exciting changes have been made to the modulation system. For starters, it now supports drag and drop: click a modulator name and drag it to a target control to make the assignment, which shows up automatically in the mod matrix.

Adjustable modulation depth rotaries appear around all controls assigned to the currently selected modulator, although there's no option to view multiple modulations at once, à la Massive.

Modulation assignments can now include a Via source, and active mod source tabs are shaded grey and shuffled to the left end of the row for easy access. The new Dual LFO mode lets you mix between two shapes, and incorporates a bit depth control for dialling in digital stepping; while the ADSR envelope's Analog and One-Shot modes enable faster, smoother envelope movement and bypassing of the Sustain stage, respectively.

SynthMaster 2.8.1 introduces four new ZDF types: the Moog- style Ladder, the 303-style Diode Ladder, the SEM-style State Variable, and the MS-20-style Bite. They're 'inspired by' rather than actual models, but all of them sound great, significantly upping the synth's versatility.

The Effects section has been boiled down from three tabs to one, with new displays for Phaser, Chorus and LoFi; and modules can now be reordered by dragging.

The arpeggiator's new DrumKit mode serves as a step sequencer for programming an included multitimbral SFZ drum kit, and MIDI input can be recorded into the step sequencer. Polyphonic expression is supported, and you can now choose separate real-time and offline Engine Quality settings.

PRODUCT HIGHLIGHTS
  • SynthMaster V2.8.10
  • 1800 Presets, 29 Preset Banks
  • Multiple Synthesis Engines
  • Basic, Additive, Vector Oscillators
  • Arpeggiator, Effects, Microtuning
  • Includes Crossgrade for SynthMaster One
  • System Mac OS X
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Superior Drummer 3 and Sound Library by Toontrack

Toontrack announced that Superior Drummer 3 will be released worldwide on September 12, 2017. Building on the legacy of its predecessor, Superior Drummer 3 was redesigned from the ground up to introduce a completely new and improved workflow, integrated drum audio to MIDI conversion, 35 mixer effects, scalable interface, detachable windows, a comprehensive MIDI library and much, much more.

Both in terms of design and functionality, this is by far the most advanced and profound product in the history of the company. Our team has gone above and beyond to make something very complex an ease for the end user to work with,”said Erik Phersson, Toontrack’s Head of Development.

The core sound library, boasting in excess of 230 GB of raw sound material, was recorded by award-winning engineer George Massenburg at probably the world’s most quiet and ideal location for sampling, the Galaxy Studios in Belgium. In addition to close microphones and several ambience positions, the Superior Drummer 3 setup also includes an additional eleven room microphones set up in a surround configuration, for use in anything from stereo all the way up to 11.1 systems. In combination with the large selection of extra instruments as well as the included pool of electronic drum machine sounds added for stacking and sound design purposes, Superior Drummer 3 gives you an incomparable palette of options to craft drum tones beyond your wildest imagination. 

Superior Drummer 3 takes music creation to a level of quality, flexibility and authenticity beyond the imagination,” commented engineer George Massenburg.

The idea with Superior Drummer 3 is to let you step into a virtual studio with the best possible raw material and mix options at your disposal to create yourdrum sounds. With Superior Drummer 3, you are in control. Take a seat at the console to hone, mold, shape, mix, match, blend, saturate and create – on yourterms. Superior Drummer 3 is a complete drum production studio and the ultimate framework for creative sound design.

Combining the creative power of the sounds, the ambiences and the extensive set of features, Superior Drummer 3 is more than just a drum sampler – it’s a bottomless well of creativity. It bridges the gap between acoustic and electronic and lets you venture off into completely new sonic landscapes. To me, this is the definitive tool for percussive sound design,” said Mattias Eklund, Toontrack’s Head of Sound Design.

When Superior Drummer 2 was released close to ten years ago, it revolutionized the market and quickly became the industry standard. We are beyond excited to yet again introduce something that sets a new benchmark,” said Toontrack’s CEO Peter Knutsson.

Superior Drummer 3 is released worldwide on September 12, 2017, as a ‘Regular’ version for first-time buyers, an ‘Upgrade’ for owners of the previous version as well as a ‘Crossgrade’ for owners of EZdrummer 2. The program is delivered digitally, available for download through the Toontrack Product Manager directly upon registration. There will also be an option to purchase the core sound library pre-installed on a solid-state drive (SSD).

FEATURE SPOTLIGHT
  • In excess of 230 GB of raw, unprocessed sounds in 44.1 kHz/24 bit
  • Recorded with an additional eleven separate room microphones set up in a surround configuration for a complete immersive experience
  • Playback in stereo or up to 11 channel surround systems
  • Engineered by George Massenburg
  • Integrated offline audio to MIDI conversion
  • Approx. 350 vintage and classic drum machine sounds
  • 35 mixer effects
  • New and improved scalable interface with detachable windows
  • Edit Play Style, Tap2Find, Song Creator and Song Track features as well as improved workflow and search functionality
  • Built-in MIDI grid editor
  • DAW automation for built-in macro controls
  • Drag & drop and import for individual and third party samples
  • Support for keyboard shortcuts
NOTE:
  • In the video tutorial. I am using v3.0.1 update sd3 to v3.0.3. If you just downloaded it, just ignore the initial install process on the video tutorial. You can use the installer version 3.1.7 and for how to combine the soundbank remains the same on the video tutorial SD3.

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Cockos Reaper 5.50 Crack

Cockos Reaper is an advanced and complete digital audio production software for multi-track audio recording, mastering and production. The software allows you to edit songs, assigned tracks, and batch conversion. Cockos REAPER 5 offers a flexible and complete toolset for MIDI and audio recording, mastering, editing, mixing, and audio processing. Cockos REAPER (stand for: Rapid Environment for Audio Production, Engineering, and Recording) allows you to import a variety of audio and MIDI files, synthesize, compose, arrange, mix, pitch, edit, and master songs.

Cockos Reaper allows you to record and overdub audio and MIDI files with dozen supported audio formats at any bit rate, record multiple layers or record in a loop. REAPER can open multiple projects at the same time, record stereo, surround, and multichannel audio files, save the recorded musics simultaneously to multiple disks, drag and drop support, easily to move, trim, split, loop, stretch, pitch, fade, and many more. REAPER 5 comes with new redesigned interface, new significant features, new updates, bug fixes, and feature improvements.

If you want to create a drum bus, simply add a track above the drum tracks and press the folder button – the drums will automatically send to the folder, Once you get the drum levels and FX tweaked right where you want them, you can record the folder’s output to non-destructively freeze the drums and move on.

Plug-in Support
  • Insert almost any third-party audio or MIDI plug-in: VST, VSTi, DX, DXi, AU (OSX only), JS
  • ReWire (audio and MIDI) any capable application for even more flexibility
  • Fully automatic plug-in delay compensation (PDC)
  • Sidechain any plug-in, even if the plug-in does not natively support sidechaining
  • Apply FX in real time, or non-destructively render FX output
  • Real-time network FX processing: use other local machines as an FX farm
Key Features
  • 64-bit internal audio processing
  • Effects for processing audio and MIDI
  • MIDI hardware and software support
  • Multichannel (multi-track) support
  • Powerful audio and MIDI editing
  • Support for many (popular) media formats
  • Support for plug-in effects and instruments
  • Automation, grouping, scripting, etc.
What’s new in Cockos Reaper 5.50
  • API and scripting improvements
  • Flexible, automatable VCA control
  • FX envelope and modulation management
  • Improvements to video support
  • New interface and explorer improvements
  • Performance and real-time edit items
  • VST3 support and JSFX improvements
  • New actions and many other improvements.
Minimum Requirements
  • Windows XP/Vista/7/8/8.1/10 (32-bit or 64-bit all editions)
  • 2 GHz multi-core processor
  • 1 GB RAM
  • 128 MB VRAM
  • 100 MB disk space
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SoundToys 5 Audio Utopia

Soundtoys 5 brings together our entire range of audio effects into one powerful collection. Includes all 18 Soundtoys plug-ins. All 18 Soundtoys plug-ins. New Effect Rack, PrimalTap, and Little AlterBoy. No dongle required.

Saturate, compress and distort with Decapitator, Radiator, and Devil-Loc. Get a virtual history of echo and delay hardware with EchoBoy and PrimalTap. Transform your vocals with Little AlterBoy. Recreate classic studio pitch, chorus and widening effects with Crystallizer and MicroShift. Take modulation to new levels with the beat-synced rhythmic effects of PanMan, Tremolator, FilterFreak, and PhaseMistress.

All of these individual elements are proven, powerful tools, trusted by professional mix engineers, musicians and sound designers everywhere. But combined in the new Soundtoys Effect Rack, they are indeed the ultimate effects collection.

The new Soundtoys Effect Rack is the centerpiece of Soundtoys 5. It turns a tried-and-true collection of powerful individual plug-ins into a virtually unlimited creative multi-effects system.

The Effect Rack makes it simple to build your own custom effect chains and define your signature sound. And when you ve created the perfect combination of effects, the Racks global controls let you treat the whole rack as a single plug-in.

Lock rhythmic effects to a single tempo, or let them run free. Fine tune the input and output levels, and use the global mix control to blend your effect in with the dry signal. Then experiment with the powerful new global Recycle control. By mixing the output of the rack back into the input, you can build your own modulated reverbs, over-the-top delays and other unique ambience effects that would require complicated routing to accomplish in most DAWs.

System Requirement
Mac OS X 10.7 | 10.8 | 10.9 | 10.10 | 10.11 | macOS Sierra | High Sierra  | Mojave
Windows 7 | 8 | 8.1 | 10 [32-bit | 64-bit] NOT SUPPORT AAX
NOTE: For mac use 32Lives
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Keyscape Library for Spectrasonics omnisphere 2

Keyscape is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From holy grail pianos to stunning keyboards you didn't even know existed, this is a keyboardists dream come true.

Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multisampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to play.

The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally right.This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone.

While its every performing keyboardists dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing unreal sounds with the powerful STEAM Engine under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future.

Custom Controls
The Custom Controls presented for each Patch allow you to go far beyond the original sound. The intuitive interface includes useful performance controls and high-quality creative effects processing specially crafted for each Patch. Hundreds of included Patches showcase the remarkable versatility and ability to dramatically customize these iconic sounds to your music.

Authentic Expression
With many of these collector instruments, its really the imperfections that make them so interesting. Instead of cleaning up all the quirks and noises they make, we made sure to closely capture them since they are a big part of their vibe. In addition to that, our software team closely modeled the authentic behavior and mojo of vintage amplifiers, classic effects units, and unique subtleties like mechanical noises, pedal noises, and release overtones to bring these sounds to a whole new level of authenticity and dynamic expression.

Hybrid “Duo” Sounds
Along with the hundreds of patches based on the 36 instrument models, Keyscape includes special hybrid “Duo” sounds which combine two of the instruments to create something entirely new. The unique timbre of these Duo patches make them some of the most creative and inspiring sounds in Keyscape!

Omnisphere Integration
As a bonus for Omnisphere 2 users, Keyscape also integrates fully as a satellite instrument within the Omnisphere interface. Keyscape will simply appear as a library inside Omnispheres browser for users of both plugins. This capability allows Omnisphere 2 users to harness additional functionality like Live Mode, Stack Mode, Multitimbrality, endless FX routings and the full synthesis power of the STEAM Engine to explore endless new sonic possibilities and combinations.

Technical Specifications:
  • Huge library with over 500 “Best-in-class” sounds, 36 Instrument Models and Hybrid “Duo” Patches
  • Deeply Multisampled sounds with up to 32-way velocity switching, Round Robins, etc.
  • Mechanical Noise, Pedal Noise and Release Noise behavior modeling
  • Patches feature authentic circuit modeled amplifiers and effects
  • Available as Download (77 GB) or Boxed USB Drives Edition
  • Optional “Lite” installation (30 GB) for stage use
  • Full Omnisphere 2 integration
SYSTEM REQUIREMENTS FOR ALL USERS
  • 2.2 GHz Intel dual core processor or higher
  • 8GB RAM minimum
  • Solid State Drive recommended
  • 80 GB of free hard drive space (30 GB for lite install)
Mac Users:
  • OS X 10.9 Mavericks or higher
  • AU, VST 2.4 or AAX-capable host software
  • Native 64-bit host*
Windows Users:
  • Microsoft Windows 7 or higher
  • VST 2.4 or AAX-capable host software
  • Native 64-bit host*
*use keyscape library with omnisphere 2 v.2.3.1 to work
Tutorial instal keyscape

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Creative FX Collection v1.2.1 - AIR Music Technology

AIR is excited to announce the Creative FX Collection Plus. This world-class new collection includes our twenty classic AIR FX plugins for the first time in AU/VST Formats plus eight all-new FX (AU/VST/AAX), expertly created by our team based on extensive feedback and requests from customers.

The original AIR Creative FX collection has been included as part of Pro Tools® since Version 8 and is considered the reference FX suite by some of the world’s most respected audio professionals. AIR FX has been featured in many of the last decade’s top film, game and music projects. Each plugin has been expertly designed with ease of use in mind and will ensure professional results each time.

This exclusive and diverse collection provides everything you need for creativity, mixing and mastering, including reverb, compressors, EQs, delays, filters and more.
  • AIR Chorus: – Allows you to apply a small delay to add depth and space to the audio signal.
  • AIR Ensemble: – Allows you to apply a moving, shimmering modulation effects to the audio signal.
  • AIR Flanger: – Allows you to use a short delay in the audio signal.
  • AIR Multi-Chorus: – A plugin that allows you to apply bold, integrated chorus effect.
  • AIR Phaser: – applied to the audio signal with its amazing sound viscous.
  • AIR Reverb: – Use a reverb effect to the audio signal, creating a feeling of space.
  • AIR Non-LinearReverb: – Use this plugin to apply special reversnuju reverb, creating a synthetic environment.
  • AIR SpringReverb: – classic spring reverb.
  • AIR Multi-Delay: – With Multi-Delay plug-in you can use up to five lines of delay to the audio signal.
  • AIR DynamicDelay: – plug-in delay lines, which can be synchronized with the tempo of the session.
  • AIR FrequencyShifter: – Use a frequency shifter, which would change certain audio frequencies, creating a unique effect.
  • AIR StereoWidth: – Plug-in, which can be used to create a wider stereo effect and presence.
  • AIR Distortion: – Instantly adds color to your audio signal different types and varying amounts of distortion.
  • AIR Fuzz-Wah: – Allows you to add flavor to the audio signal different types and different numbers of type transistor distortion.
  • AIR Lo-Fi: – Plug-in, which can be used for sodaniya effects “bit-crash” clipping and distortion of the input signal.
  • AIR Enhancer: – Enhances Broadband low and high audio frequencies.
  • AIR KillEQ: – Use a plug-in for the revitalization of low, medium or high audio frequencies. This popular effect for DJs and is commonly used in electronic music production (especially in dance music).
  • AIR VintageFilter: – Plug-in, which uses modulation, resonant filter to the audio signal. Create your own sounds to be transmitted very resonant aura.
  • AIR FilterGate: – Plug-in, which can be used to “cut” the audio signal into staccato rhythmic patterns with variable filtering, amplitude and panning.
  • AIR Talkbox: – A plugin that allows you to add effects to audio golosopodobnye.
  • Plus 8 new plugin:
  • AIR Pumper: – Pumper creates rhythmic pumping effect similar sidechain compression nastraevoemoy with speed, depth and shape of the envelope.
  • AIR Spectral: – Analyzes the incoming signal (its frequency, level, MIDI notes, and other information) to determine which frequencies will be or will not be a part of resynthesize output. Set the parameters Filter By … the incoming signal, and then change the parameters of “dissolve,” envelope, and stereo phase, experimenting with sound. The results may surprise you!
  • AIR DiffusorDelay: – A delay effect that syncs to the tempo of your session and uses the controlled variable diffusion, thereby mimicking the dissipation echo in reverberant space.
  • AIRTubeDrive: – Emulates the sound signal passing through the soft “overloaded” tube amplifier that creates a warm, smooth-sounding distortion.
  • AIRCompressor: – The compressor changes the dynamic range of the signal, automatically reducing its gain, if it exceeds a certain level.
  • AIRMaximizer: – Limiter optimized for professional mastering.
  • AIRParametricEQ: – Four band parametric equalizer with four independent bands.
  • AIRSaturationFilter: – Applies a filter to incoming audio signals, and then applies a selective type of distortion. 
Extras. Information: Changes: 
  • Performance enhancements.
  • Improved VIP Performance.
  • GUI Improvements.
  • Further improvements in support for Reaper and FL Studio 12.
  • Improved presets based on user feedback.
Format: VST, AAX
Bit depth: 32bit, 64bit
System requirements: Windows 10, Windows 8.1, Windows 7 Home Premium, Professional, or Ultimate edition with Windows 7 Service Pack 1
Minimum Processor: Dual Core 2GHz (Intel Core i5 or i7 Recommended)
Minimum RAM: 1GB (2GB or more recommended

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Antares Autotune 7 v7.0.8

Auto-Tune corrects intonation and timing problems in vocals or solo instruments, without distortion or artifacts, while preserving all of the expressive nuance of the original performance – with audio quality so pristine that the only difference between what goes in and what comes out is the intonation and timing. All with a user-interface that is a model of clarity, speed and ease-of-use. 

Auto-Tune is used daily by thousands of audio professionals around the world. Whether to save studio and editing time, ease the frustration of endless retakes, or save that otherwise once-in-a-lifetime performance, Auto-Tune is the overwhelming tool of choice.

Sound 
Simply, Auto-Tune 7 delivers. It sounds great, and when used as originally intended, its pitch correction sounds transparent and natural. Performances that are “close” can have corrections applied that are essentially undetectable and natural sounding; while more errant pitches can be corrected fairly well, too.

The same can be said for timing correction, which is a great tool to have handy in your studio. If the automatic mode doesn’t quite get what you’re after, it is easy enough (with a little learning curve) to fix things manually in Graphic Mode, just as most engineers became comfortable editing pitch in this manner years ago.

- Use 32 Lives for 64bit
Tutorial instal Antares Autotune 7 v7.0.8 for Mac

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Stillwell Audio Bundle v3.0.3

Stillwell Audio is a collection of plug-ins that includes such treatments as the equalizer 1973, badbussmojo, Bitter, bombardier, CMX, Dyno, eventhorizon, majortom, Olga, Oligarc, OligarcChorus, OligarcDrive, OligarcFilter, OligarcPhaser, rocket, Schope, Sculpto, Spectro, TinMan, transientmonster, verbiage and vibeeq.

It’s been a LONG time coming, but it’s finally here. Version 3.0.0 brings many noteworthy features and fixes. All known compatibility issues have been addressed for current users, and for those users that have been waiting patiently (or not), we’re finally fully consistent — all plugins are available 32 and 64 bit, both Mac (with the exception of Psycho Dither which is still WIP and Microschope which has been retired due to lack of activity).

The most exciting bit for new users, though, is additional platform support. We now support VST3 and (wait for it…) Pro Tools. Our plugins are available in RTAS (legacy), 32-bit AAX Native (Pro Tools 10), and 64-bit AAX Native (Pro Tools 11). Where appropriate, we have also built in support for Audiosuite (AS).

Developer : Stillwell Audio 
Developer’s website : stillwellaudio.com 
Platform : PPC / Intel Universal 
Language : English 
Tablet : The program is treated

System requirements : 
  • PowerPC G5 or Intel Core processor 
  • 512 MB of RAM 
  • 70 MB of free hard drive space 
  • 1024 x 768 screen resolution 
  • Built-in audio interface 
  • Mac OS X compatible MIDI interface / keyboard 
  • Mac OS X 10.6.0 or later 
  • Windows 7,8 & 10
  • Amd or Intel
How to Instal:
Mac:
- Instal Stillwell Audio Bundle v2
- Copy Crack + Keygent Stillwell Audio Bundle v3.0.3 to plugin
- Enjoy
- Use 32 Lives for 64bit
Win:
- Copy Folder Stillwell Audio to Vst Plugin
- Enjoy

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32 Lives - Sound Radix 32bit to 64bit

32 Lives generates 64-bit Audio Units versions of your beloved and hard-earned 32-bit legacy plug-ins, helping you to cross over to the new 64-bit Logic Pro X smoothly and transparently. Older Logic 9 sessions will completely load into Logic Pro X, including all presets, parameters, and automation. No special re-wiring or routing is required. All your 32-bit-only plug-ins will again reappear in the plug-ins menu as they once did.

Features
  • Creates 64-bit adapter plug-ins for your 32-bit only Audio Units plug-ins
  • Transparently loads your legacy TC PowerCore, Abbey Road, URS, and other plug-ins into Logic Pro X and other 64-bit Audio Units-compatible DAW’s
  • Fully compatible with older sessions, loads all presets, parameters, and automation
  • Ultra-low latency and high CPU efficiency
  • GUI workflow is transparent and doesn’t require additional clicks and windows
  • Compatible with Logic Pro X, Mainstage 3, Final Cut Pro X, Garageband X, Live 9, Digital Performer 8, Studio One 2, Audition CC, Tracktion 4, Triumph, QLab, and others
  • Compatible with OS X 10.6 or Later
Tutorial Install 32 Lives MAC - Until Mojave
 
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Spectrasonics Trilian 1.4.1 Total Bass Module

Spectrasonics Trilian is a full-bodied bass virtual instrument that has almost all kinds of basses in its arsenal: from a luxurious double bass and legendary electric bass guitars to a wide range of synthetic timbres. A huge library of sound (in the double bass there are over 21,000 individual samples. Is controlled using an exclusive STEAM engine, it is skipped through high-quality built-in effects and arpeggiator.. Trilian is designed from the ground up to be the most versatile bass virtual instrument available today with a new level of expressive, real-time performance for acoustic and electric basses plus cutting-edge synth bass tones with powerful editing and extraordinary sound quality.

Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses. 

Powered by next generation STEAM Engine technology, Trilian is the first instrument to feature core library integration with Spectrasonics flagship Omnisphere® synth – allowing Trilian’s sounds to be used within the Omnisphere environment for further sound design and keyboard/bass splits.“At Spectrasonics, we’ve always loved Bass sounds.” notes Eric Persing, Founder and Creative Director. “When we started 15 years ago, our very first product was the best-selling Bass Legends sample library. Then in 2002, we introduced Trilogy – the world’s first Bass Virtual Instrument. Now we are very pleased to release Trilian, which represents a whole new generation of our Bass development. Trilian is built on the STEAM Engine that powers Omnisphere, which has allowed us to create the most expressive and flexible Bass module we’ve ever made.”

PERFORMANCE
The new acoustic and electric basses in Trilian are sampled at an extremely high level of detail. The combination of the software’s intuitive, automatic selection of legato and release articulations as the user plays – and the extensive ‘Round-Robin’ variations introduced for natural sounding bass lines with repeated notes – create a more dynamic and subtle playing experience. Newly developed multisampled dynamic slides let notes realistically slide from one to another. Each of the new basses feature multi-channel mixing between phase-locked microphone/amplifier and direct outputs of each bass.

BASS INSTRUMENTS
Over sixty different 4, 5, 6 and 8 string Electric basses are presented in fingered, picked, fretless, slapped, tapped, and muted technique variations – providing a huge variety of sounds for any musical genre. Highlights of the new Electric Basses include a Music Man™ 5-string Studio Bass, Chapman Stick®, Lakland™ Rock P-Bass, Clean Fender® Jazz Bass, a Hardcore Rock Bass, a Retro 1960’s Epiphone® Viola Bass and much more.
Trilian’s stunning new Acoustic Bass is the most detailed instrument Spectrasonics has ever released, with 4 audio channels and over 21,000 samples to create this single instrument! All this combined with Trilian’s high-resolution streaming of the sounds puts a depth of realism into performances that is truly inspiring.

INTEGRATION
Trilian is the first virtual instrument to feature core library integration with Spectrasonics award-winning, flagship Omnisphere synthesizer. Trilian’s complete sound library can be opened within Omnisphere for further synthesis and expanded performance possibilities.
Trilian’s Arpeggiator features the “Groove Lock” technology Spectrasonics pioneered in Omnisphere and Stylus RMX’s Time Designer – which means that with a simple drag and drop action, the feel of bass patterns created with Trilian’s Arpeggiator can be perfectly synchronized between all three of Spectrasonics instruments.

INTERFACE
The new Custom Controls interface on the Main page of each patch brings out the most useful and interesting sound modification controls for that specific patch, and a single control can even modify numerous parameters to create unique FX. The Custom Controls are all MIDI Learnable, Automatable and users can create their own configurations of Custom Controls.

Sound Library 
Vast Core Library, over 34GB with a wide variety of bass sounds
  • 10-times the size of Trilogy’s library
Includes over sixty Electric Bass sounds
  • 4, 5, 6 and 8-string Electric Basses played by 6 different bassists
Includes all types of playing techniques:
  • Fingered, Picked, Fretless, Slapped, Tapped, Muted
Amazing acoustic bass with extremely detailed articulations in each patch
  • Over 21,000 samples!
Inspiring brand new Electric Basses include:
  • 5-string Music Man Studio Bass, Clean Fender Jazz Bass, Epiphone Retro 60’s Bass, Hardcore Rock 5-string, Lakland Rock P-Bass and Chapman Stick
333 Synth soundsources includes:
  • Novation Bass Station, Yamaha CS-80, Cwejman Modular, Moog Minimoog, Little Phatty, Voyager, Taurus Pedals, Korg MS-20, Oberheim 2 voice, ARP 2600, Roland Juno 60/106, Waldorf Pulse, DSI Mopho and Tetra, Roland TB-303, SH-101, Metasonix KV-100 Assblaster, SE-1, Omega, ATC-1 and many more
Juicy Filter and Power Filter algorithms are ideal for thick, resonant synth bass sounds Enhanced, remastered versions of original Trilogy core library. Bonus section of remastered classic Bass Legends library
  • Features Abraham Laboriel, John Patitucci and Marcus Miller
System Requirements
Mac Recommendations:
  • OSX 10.4.9 or higher 
  • AudioUnit, VST 2.4 or RTAS capable host software 
  • Native Universal Binary for Intel Macs (G5 PowerPC compatible)
Windows Recommendations:
  • VST 2.4 or RTAS capable host software 
  • Microsoft XP SP2 or later 
  • Microsoft Windows 7/Vista compatible 
  • Native 64-bit and 32-bit on Windows
Other:
  • 2.0 GHz or higher processor (Intel Core2Duo or higher recommended) 
  • 2GB RAM (4GB or more recommended for multis) 
  • Dual Layer compatible DVD-ROM drive 
  • 35GB of free hard drive space
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Impact Soundworks - Shreddage Bass 2 (KONTAKT)

Our finest virtual bass: a badass six-string, custom-made Muckelroy recorded through a legendary vacuum tube preamp. The superb realism, depth, and stunning tone of Shreddage Bass 2 is perfect for rock, metal, fusion, pop and much more.

At the foundation of any killer track is a killer bass groove. A bass doesn’t just provide the meat and low-end of the track – it anchors and glues all other elements together, and even shine as a virtuosic solo instrument in the hands of an expert. Shreddage Bass 2 captures the full potential of the electric bass using a masterwork custom 6-string instrument recorded through legendary analog gear.

Unlike the original Shreddage Bass library, Shreddage Bass 2 uses a much more versatile fingered playing style performed by master bassist, composer, and session musician Tony Dickinson. Tony brought his massive experience and skill to recording the library from both the perspective of a performer and a producer; he also brought his custom-made, one-of-a-kind handmade Muckelroy bass!

Shreddage Bass 2 features over 11,000+ samples recorded through a Universal Audio Solo/610 analog tubepreamp/DI box for maximum fatness, punch, and warmth. As with our virtual guitar instruments, each string was sampled in exhaustive detail across every fret, at multiple dynamics, and with up to 8x round robin variations per note. The instrument’s massive 4.5 octave range starts at a sub-destroying low G up to a high C#, allowing you to play or sequence any bass part you can think of.

Everything we’ve learned from the Shreddage 2 series has been applied to Shreddage Bass 2 – our most realistic performance engine, extensive tweaking options, beautiful legatos, and meticulous editing. This is not just a badass bass for rock & metal music, but the premier virtual electric bass for any musical style!

Features:
  • Familiar UI layout from the Shreddage 2 series
  • Double-tracking features
  • Virtual fretboard display with deep tweaking
  • Custom-built FX rack with amp + cab sim
  • Hi-gain FX presets for instant gratification
  • Completely customizable mapping
  • Compatible with FREE Kontakt Player
Requirements:
  • Windows 7,8,10 & Mac OS
  • Kontakt OR Kontakt Player version 5.3.1 or higher.
  • 5GB hard drive space
  • 2GB of RAM
  • 2007 or later processor
  • Your system must also meet the requirements for version 5.5.2 of Kontakt. If you cannot run that version, you will not be able to load this library.
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Impact Soundworks - Shreddage Bass 2 (KONTAKT)
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Native Instruments I Kontakt 5.6.6 MAC OS

Native Instruments Kontakt 5 (better known as Kontakt 5) is the leader and the world’s most powerful sampler for music production and computer-based DJing. Kontakt works in standalone software and synthesizer compatible application plug-ins, supporting VST, DirectConnect, Core Audio, MAS or FreeMIDI formats, and many more. comes with a huge instrument library, an instrument bus system, a huge array of filters, expressive sound shaping, new on-board studio effects, an advanced sampling framework and scripting, and deep editing capabilities.

Includes a rich sound library with well over one thousand different instruments with meticulous quality, contains all standard band instruments for any genres, highest-quality orchestral instruments, and an incredibly musical library like instruments, samplers and effects and other versatile tools.

Now support for new 16-bus system with comprehensive routing options and new support for MIDI file which allows you to create instruments that can loops, play patterns, and grooves as opposed to single notes.

Key Features:
  • Complete audio imperceptible tempo-changes
  • Create, play, loops and grooves instruments
  • Deep sample editing and instrument building
  • Huge library with one thousand instruments
  • Integrated universal sound design toolset
  • Play and control stunning instruments
  • Slice, stretch, pitch with Wave Editor
  • Super high quality (HQ) time stretching, and more.
System Requirements:
  • Mac OS X 10.8 or later
  • Intel Processos

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Native Instruments I Kontakt 5 v5.6.5 Unlocked

Kontakt is the world’s leading software sampler. Its sophisticated sound engine, wide array of effects, powerful modulation possibilities, and advanced scripting brings a universe of sound to life with unrivaled playability and realism. And with an ever-growing feature set, Kontakt continues to be the sample engine behind the future of sound.

Kontakt Player to v5.6.5.
Added:
  • New KSP UI control: XY Pad.
  • Re-introduced the Global Purge controls (removed with 5.6.0) as part of the File menu.
Fixed:
  • Some effects would block sound when loaded through KSP.
  • The Group MIDI Channel setting menu was broken.
  • Vertical window resizing was sluggish under certain conditions.
  • The KSP bitwise operators would cause parse errors in certain cases.
  • Crash when double-clicking on the header of Expert>Groups tab.
  • Crash when using certain context menus.
  • Crash when using the Next / Previous NKI buttons under certain conditions.
  • The size of the Quickload area was always reset after restarting Kontakt.
  • There was a graphical issue with level meters on instrument Performance Views.
  • The "Unwind Automation" setting was ignored by automation assignments made via KSP.
  • Issues with certain audio interfaces when using Kontakt standalone.

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Logic Pro X 10.3.2 I Apple Mac OS

Apple have updated their flagship DAW Logic Pro X to version 10.3.2. The new version features some extra Drummers who play Latin, Pop and an extra player suitable for singer-songwriters. Drummer allows users to create a more natural rhythm track with auto-fills, variations in volume and general ‘realism’ added in. Extra loops have also been added to fit the styles of the new Drummers. 

Elsewhere, Apple have added the ability to pitch and fine-tune individual audio regions – a long-awaited and very welcome addition. Ableton users will be very familiar with how easy it is to transpose clips, so anyone who uses both will be glad to see this feature added to Logic. Their latest instrument acquisition Alchemy has also had a re-vamp, adding an automatic time align feature for improved morphing. 

New in Logic Pro X 10.3.2
New features and enhancements
  • Includes three new Drummers who play percussion in the styles of Pop, Songwriter, and Latin. 
  • Add new Drummer loops to your song and then customize them with performance controls.
  • The pitch of an audio region can now be transposed or fine-tuned.
  • Alchemy includes an automatic time align feature for improved morphing.
  • New additive effects in Alchemy expand the options for filtering and modulating sound.
  • There is now a key command to Copy Section Between Locators (Global), which copies all content between the locators regardless of selection.
  • In Flex Pitch, there is now a contextual menu item to reset all Flex Pitched notes in all currently selected regions.
  • There is now a key command Remove Fades.
  • There is now an Audio > General preference to reserve lowered number busses from auto assignment.
  • Shift-clicking when closing in a plug-in window now closes all open plug-in windows.
Stability and reliability
  • Logic Pro no longer quits unexpectedly after performing Undo after the command Copy Selected Regions to Selected Track on a marquee selection is used.
  • Logic Pro no longer sometimes quits unexpectedly when:
  • Using the Repeat Regions/Events command after inserting a note with the Pencil tool in the Piano Roll when Link is off and the Library is open.
  • Opening a project that contains instances of Camel Audio Alchemy 1.5 and Logic Pro X Alchemy.
  • Moving a marquee selected set of flex markers in the Audio Track Editor.
  • Selecting a newly downloaded Drum Machine patch while the Musical Typing window and Drummer Editor are open.
  • Logic Pro no longer hangs when importing audio into an independent Project Audio window when no other windows are open.
Performance
  • Improves responsiveness of the graphical user interface especially on Retina or other high resolution displays when doing the following: 
  • Resizing windows and areas.
  • Dragging and trimming regions.
  • Opening and closing the Piano Roll editor.
  • Zooming and scrolling in large projects, especially those that contain a large number of flex edits or tempo events.
  • Stepping through tracks using the up/down arrow keys. 
  • Adjusting parameters of multiple selected events in the Event List when the Step Editor is also open.
  • Adjusting region parameters on audio regions with Flex Pitch active while playing back no longer sometimes leads to bursts of noise.
Drummer
  • Switching between Drummer characters during playback no longer sometimes causes Drummer to stop playing until playback is stopped and started again.
  • The record button on Drum Machine Designer tracks no longer unexpectedly disables when changing drum kits.
  • The Duplicate Track command now works for Drummer or Software Instrument tracks assigned to Drum Machine Designer or Drum Kit Designer producer kits. 
  • Drum Machine Designer tracks now always appear as expandable Track Stacks in the Tracks Area so that sub-tracks are immediately available for automation or other tasks. 
  • Option-dragging a Drummer or Software Instrument track that uses Drum Machine Designer now correctly creates a Track Stack containing all the kit pieces.
Automation
  • Automation of grouped tracks now works when Project Settings > MIDI > General > Control Change 7/10 controls Volume/Pan of channel strip objects setting is active.
  • Region-based automation is now retained when Take folders are unpacked to Track Alternatives.
  • Automation points no longer sometimes jump to unexpected positions when edited after the Project start position has been adjusted.
  • Volume automation resets as expected when a cycle returns to the beginning
  • The relative automation levels are once again maintained when using the Marquee tool to select and adjust automation on multiple tracks at once. 
Fades
  • When the right portion of a crossfade is adjusted, the left region is no longer selected in order to avoid unintended edits to a previous crossfade.
  • Fades now reliably take immediate effect when created during playback.
Mixer
  • It is now possible to adjust either the pan or spread position of a Stereo Panner using a mouse or swipe gesture on a Magic Mouse, or two-finger swipe on a track pad.
  • When duplicating a record-armed track, the newly created track is now armed.
  • There is now audio hardware device control for stereo tracks.
  • Clicking the solo button in the Track Header of a Solo-safed track no longer disables "Solo-safe."
  • If there are split stereo files in the project, the Edit menu in the Project Audio window now offers options to disconnect a selected split stereo file, or to reconnect all split stereo files.
  • The R buttons on armed tracks now continue to blink reliably after recording is started.
  • A stereo track with a mono plug-in now continues to sound mono when the plug-in is bypassed.
  • I/O Labels are now associated with their correct hardware Outputs in the New Tracks window.
  • Patches saved with plug-ins that use Software Instrument tracks as side chain inputs now properly recall the side chain setting when reloaded.
  • Dual Mono plug-ins on a track that has been set from stereo to mono now immediately switch to mono mode.
  • The dry level for plug-ins inserted on Aux channels serving as summing busses are no longer unexpectedly set to zero when a new channel is routed to that Aux.
  • Low Latency mode now works as expected on Output channels above Output 1–2 that do not have plug-ins inserted on them.
Plug-ins
  • When importing EXS instruments into Ultrabeat, up/down arrows to navigate sample zones are again displayed.
  • Adjustments to a bandwidth in the Channel EQ made by dragging the vertical helper lines in the interface are now reflected in the channel strip EQ thumbnail.
  • The Arpeggiator now starts over as expected when it receives a new set of notes while running.
  • There is now a preference to control whether the most recently used plug-ins are displayed in the plug-in list.
  • The EXS24 option "extract MIDI Region from Instrument created from Audio Regions" is now consistently available.
  • Changing parameter values in Sculpture’s factory default setting now activates the Compare button.
  • Multiple instances of the Modulator MIDI plug-in set to output the Random waveform now each output a different waveform after the project has been closed and reopened.
  • The timing of the modulation of multiple instances of the Modulator MIDI plug-in now remains reliably in sync.
  • The Retrosynth plug-in settings now includes a fourth modulation slider and target.
  • EXS24 now offers a Sample Select Random Offset setting for Groups
Minimum System Requirements 
  • 4GB of RAM
  • Display with 1280-by-768 resolution or higher
  • OS X v10.11 or later
  • Requires 64-bit Audio Units plug-ins
  • Minimum 6GB of disk space. 51GB of optional content available via in-app download.
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Valhalla DSP Bundle (Shimmer, Room & UberMod) MAC OS

Valhalla Shimmer is the first plug-in that intrigued me out of the four available. I like to use big, long tail reverbs in my music meditation recordings, especially vocal recordings, and Shimmer did not disappoint. Any fan of big cathedrals, halls or arenas will love the detail and breadth of this reverb tool. All of the parameters can be adjusted in real time without weird artifacts or other bothersome nuances. The sound quality is buttery, rich and deep; like landing on a soft pillow. It’s wonderful to have a reverb tool that is specifically tailored to big, lush sounds. In my experience, it’s been tough with other reverbs to find that sweet spot. This is a sound you can get lost in and would be interesting on any instrument. Shimmer also has the ability to pitch shift the feedback signal and there are five different modes for that. In the product description, Costello explains how to use Shimmer and the pitch-shifting algorithm to obtain the classic Eno/Lanois ‘shimmer’ sound. 

Valhalla Room - If you were to decide on only one reverb of the four, Valhalla Room would be a great versatile choice. There is a little of everything here as far as sizes of rooms, including light ambiences, traditional hall and plate sounds and complex, modulated spaces. There are twelve unique reverberation algorithms to choose from and a host of presets to get started as well. Also of note are the ‘Early’ and ‘Late’ sections. The ‘Early’ section allows you to design short bursts of reverberation energy like gates and chorusing effects while the ‘Late’ section allows for shaping control over the decays up to 100 seconds. There are so many preset choices and possible algorithm combinations, that one could spend hours listening to the various nuances produce by subtle and dramatic changes a like. 

Valhalla UberMod - Stupendous And Unheard-Of Splendors Await Me Below, And I Shall Seek Them Soon. ValhallaÜberMod is a unique mutltap delay and modulation plugin. With up to 32 modulated delay taps, extensive diffusion and overdrive sections, and parallel slow and vibrato LFOs, ÜberMod can be used to create lush dimensional choruses, classic string ensembles, tape and BBD echoes, nonlinear and reverse reverbs, and a bunch of sounds that defy categorization.

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Positive Grid – BIAS Pedal 2.2.5

Positive Grid BIAS Pedal 2.2.5 - Over the past decade, professional effects plug-ins have been about authentic analog emulation of original hardware, with either a black-box approach or circuit analysis and emulation. This gives musicians an easy-to-use user interface and faithful reproduction of analog tone in the digital domain.

Looking forward, the question is how we can create new tools to maximize the sound quality and usability with today’s new technology, with faster processors and memory, matching analysis, advanced nonlinear processing, and a cloud-based worldwide community. What can we do better, smarter, and more efficient?

Positive Grid teamed up the world’s brightest DSP engineers and component level modeling and matching authorities, working with the world’s leading producers, world-class engineers, and mixing & mastering gurus to develop some breakthrough technologies to bring software plug-ins to the next level.

Year / Date of Issue : 06.2017
Version : 2.2.5
Developer : Positive Grid
Developer’s site : positivegrid.com/bias-pedal 
Format : STANDALONE, VST, RTAS, AAX
Digit : 32bit, 64bit
Tabletka : present
System requirements : Windows 7 (SP1) or Windows 8
4GB of RAM minimal, 8GB or more recommended
1.5GHz Dual core processor minimum, 2.0GHz Dual core or more recommended
250MB free disk space
Guitar pedal with 17 different components, including distortion, overdrive, fuzz and booster, etc.

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Valhalla DSP Bundle (Plate, Room & Vintage Verb)

Valhalla Plate is modeled after the real world sound and behavior of steel plate reverbs and allows users to go beyond the physical capabilities of this sound. Steel plate reverbs were some of the first reverb sounds used in recording production, starting in the '60s, and quite complicated to set up. Now that we are well into the digital recording revolution, there are a plethora of digital reverb models that emulate this sound that we can quickly load up and implement. The Valhalla plate realistically models the physics of plate reverbs in addition to providing extra control or extended techniques. These include controlling how metallic the reverb sounds and a lush modulation setting that eliminates any metallic artifacts. There are Plate sounds available in the Valhalla Room plug-in but for producers and engineers who tend to gravitate towards plate for signal processing, this stand-alone tool is a worthy investment. 

Valhalla Room - If you were to decide on only one reverb of the four, Valhalla Room would be a great versatile choice. There is a little of everything here as far as sizes of rooms, including light ambiences, traditional hall and plate sounds and complex, modulated spaces. There are twelve unique reverberation algorithms to choose from and a host of presets to get started as well. Also of note are the ‘Early’ and ‘Late’ sections. The ‘Early’ section allows you to design short bursts of reverberation energy like gates and chorusing effects while the ‘Late’ section allows for shaping control over the decays up to 100 seconds. There are so many preset choices and possible algorithm combinations, that one could spend hours listening to the various nuances produce by subtle and dramatic changes a like. 

Valhalla Vintage is sweet sounding reverb inspired by classic hardware digital reverbs of '70s and '80s. The way Costello recreated the '70s and '80s version of the Vintage is fascinating. In the '70s hardware version, there was a 10 kHz maximum output frequency, and the sound was down sampled internally. He reproduced this sound with custom algorithms so that the modulation is dark and noisy and artifacts are intentionally produced to give the impression of running at a lower sampling rate. The '80s version has a brighter sound in comparison and runs at full bandwidth and sample rate, although the modulation is still dark and noisy. A ‘NOW ‘ setting is also included with clean and colorless modulation. The reverb algorithms include some standard Halls, Plate and Rooms but also interesting setting like ‘Nonlin,’ which combine gated, reverse and nonlinear into one and sound otherworldly. Many of the algorithms in Vintage emulate '80s style hardware reverbs as well giving this plug-in a unique vintage quality all its own.

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Kickstart Sidechain Compression - Nicky Romero

Nicky Romero’s second attempt at creating a plug-in is easily as successful as his first. While not as advanced as KICK, Kickstart is a unique little sidechain VST effect plug-in that has no real competition on the market. Kickstart, honestly, is the simplest sidechain solution available to anyone right now. It’s cheap, it’s effective, and best of all it has an incredibly intuitive and visual layout. Nicky Romero and Cableguys should be very proud of their handy work and I applaud them for creating Kickstart in such a compelling fashion.

When attaching Kickstart to a mixer channel, a simple window pops up. Firstly, the main display shows users the shape of the sidechain curve they’re going to be applying to the channel Kickstart is loaded in. To the left of that is a huge knob that is just a wet/dry knob for the effect being applied to the channel and on the bottom you can determine the general shape you want by selecting from 16 options. It’s definitely a really simple plug-in, but simple does not mean it isn’t quality. Each of the shapes provided come preloaded with a description that details the type of sound they are best used in conjunction with, giving users a quicker road to track development. While sidechaining is definitely one of the most essential techniques used in electronic music production, it generally takes some time to set up any of the various techniques used. Cableguys and Nicky Romero definitely had user workflow in mind when they created Kickstart and it shows in the final product.

Being as simple as it is, Kickstart comes with a small flaw. As anyone who’s heard of Nicky Romero surely knows, he’s a house producer and primarily focuses on house music in general. Sadly, so does Kickstart. Kickstart has built in timing options because it isn’t linked to any type of trigger. However, if you are making any type of offbeat kick pattern or any syncopated drums, you’re going to have a tough time using Kickstart. You can only choose denominations of eighth, quarter, half, or whole notes for the sidechain to be applied on. I’ve attempted to use automation of the wet/dry knob to trigger when Kickstart applies its effect on a channel, but at that point it’s not anymore useful or time efficient than other sidechain options. I’m not sure what I would suggest to remedy this problem, but as far as any house music producer is concerned Kickstart should work very well for them.

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Vandalism – Ultra FX Essentials (Wav, Midi)

Vandalism – Ultra FX Essentials presents you with amazing sound effects. With this large collection you will have the opportunity to create exciting transitions with the help of quality accruing effects, strokes and sneyrov. The kit contains everything you need to add effects to any music genres. Ultra FX Essentials offers you massive hits, unique builds and breathtaking noises, perfectly suited for a wide range of styles, including House, Progressive, EDM, Electro and Trance.

Content
  •  025 x Downlifters
  •  025 x Impacts
  •  050 x Uplifters (4Bars)
  •  025 x Uplifters (8Bars)
  •  010 x Snare Build-Ups (8Bar) – (Including: MIDIs Files)
  •  135 x Individual WAVs Files
  •  016 x Individual MIDIs Files
  •  151 x Files In Total
  •  Multi-Genres
  •  C Root – 128BPM
Publisher : Vandalism
Website : vandalism-sounds.com/ultra-fx-essentials.html
Format : MIDI, WAV
Quality : 24 bit 44.1 kHz stereo

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Cymatics - Serum Presets and Wavetables Bundle

Cymatics - Presets and Wavetables Bundle is a collection of presets for serum xfer from Cymatics. Of course for you music lovers remix will not miss this to make a professional Song. Attention! Some presets require the latest version of the synthesizer.

The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time. Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files – Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering).

Cymatics include:
  • LFO Shapes
  • Preset
  • Tables
Installation: Open the folder with the presets, located at My Documents / Xfer / Serum Presets folder and copy the contents of the LFO Shapes, Presets, Tables in the appropriate folders.

Install: Open Serum presets folder: My documents / Xfer / Serum presets and copy content from LFO Shapes, Presets, Tables folders to their respective folders.

Published: Cymatics
Format: FXP

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